I think this movie, 'Moneyball,' symbolizes becoming a man for me, and I think my character becomes a man. It's important to me: I'm becoming a man. I'm taking my life seriously. I'm taking my acting really seriously, and it's important for me to play adults. It's important for me to change and develop as I get older.
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Think of the Father as a spring of life begetting the Son like a river and the Holy Ghost like a sea, for the spring and the river and sea are all one nature. Think of the Father as a root, and of the Son as a branch, and the Spirit as a fruit, for the substance in these three is one. The Father is a sun with the Son as rays and the Holy Ghost as heat.
John of Damascus
God is nearer to us than any man at every time. He is nearer to me than my raiment, nearer than the air or light, nearer than my wife, father, mother, daughter, son, or friend. I live in Him, soul and body. I breathe in Him, think in Him, feel, consider, intend, speak, undertake, work in Him.
John of Kronstadt
For an entire populace, change, growth, and spontaneity were dangerous. Acting upon a personal desire, whispering a hidden longing, revealing your true feelings - all the human actions we think of as essential to a character - had be censored by the self lest they be punished by the state.
Adam Johnson
People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
Melanie Griffith