Most English-speaking people ... will admit that cellar door is "beautiful," especially if dissociated from its sense (and from its spelling). More beautiful than, say, sky, and far more beautiful than beautiful...Well then, in Welsh, for me cellar doors are extraordinarily frequent, and moving to the higher dimension, the words in which there is pleasure in the contemplation of the association of form and sense are abundant.
J. R. R. TolkienRelated topics
beautiful contemplation dimension door far form moving pleasure sense sky spelling well words higher doorsRelated quotes
Nonmathematical people sometimes ask me, "You know math, huh? Tell me something I've always wondered, What is infinity divided by infinity?” I can only reply, "The words you just uttered do not make sense. That was not a mathematical sentence. You spoke of ‘infinity' as if it were a number. It's not. You may as well ask, 'What is truth divided by beauty?' I have no clue. I only know how to divide numbers. ‘Infinity,' ‘truth,' ‘beauty'-those are not numbers.”.
John Derbyshire
The critical sense is so far from frequent that it is absolutely rare, and the possession of the cluster of qualities that minister to it is one of the highest distinctions... In this light one sees the critic as the real helper of the artist, a torchbearing outrider, the interpreter, the brother... Just in proportion as he is sentient and restless, just in proportion as he reacts and reciprocates and penetrates, is the critic a valuable instrument.
Henry James
The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.
Eduard Hanslick
It seems to me that it was well said by Madama Serenissima, and insisted on by your reverence, that the Holy Scripture cannot err, and that the decrees therein contained are absolutely true and inviolable. But I should have in your place added that, though Scripture cannot err, its expounders and interpreters are liable to err in many ways; and one error in particular would be most grave and most frequent, if we always stopped short at the literal signification of the words.
Galileo Galilei
I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.
Barbara Hepworth