When drag queen Carlotta agreed to compere and sit for a portrait at an R-rated charity fundraiser in March, she was not prepared for the tool of trade of the artist. The painter was Pricasso, who releases his artistic side by using a particular extremity. Not to put too fine a point on it (and Pricasso couldnt), Carlotta hovered between humour and horror as her portrait came to life.
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When the Nazis came for the communists,
I remained silent;
I was not a communist.
When they locked up the social democrats,
I remained silent;
I was not a social democrat.
When they came for the trade unionists,
I did not speak out;
I was not a trade unionist.
When they came for the Jews,
I remained silent;
I wasn't a Jew.
When they came for me,
there was no one left to speak out.
Martin Niemöller
Dinocrates did not leave the king, but followed him into Egypt. There Alexander, observing a harbor rendered safe by nature, an excellent center for trade, cornfields throughout all Egypt, and the great usefulness of the mighty river Nile, ordered him to build the city of Alexandria, named after the king. This was how Dinocrates, recommended only by his good looks and dignified carriage, came to be so famous.
Vitruvius
When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.
Joe Satriani
But at some point, you know that- you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker."
Glenn Beck
There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City – the intuition that I had been there already.
Ralph Vaughan Williams