![At first I did not feel much inclined to agree [ Willem Maris had asked Mauve to paint together in open air, around the village Oosterbeek, c. 1863 ], but I did not like to refuse the little fellow flatly, so we went off together. My companion did not suffer from loquacity; and, coming to a field with cows in it, I sat down to go on with a drawing which I had begun that morning. The little chap strolled around a bit and then settled down to work himself. We sat there for hours under the pollards, until I grew curious to see what the little fellow was at. He sat sketching with a bit of chalk; but, oh! I stood astounded. I seized him by the hand and stammered in my turn, 'My boy, what an artist you are! You stagger me! It's magnificent! (Anton Mauve)](https://cdn.quotesdtb.com/img/quotes_images_webp/61/anton-mauve-air-artist-849161.webp)
At first I did not feel much inclined to agree [ Willem Maris had asked Mauve to paint together in open air, around the village Oosterbeek, c. 1863 ], but I did not like to refuse the little fellow flatly, so we went off together. My companion did not suffer from loquacity; and, coming to a field with cows in it, I sat down to go on with a drawing which I had begun that morning. The little chap strolled around a bit and then settled down to work himself. We sat there for hours under the pollards, until I grew curious to see what the little fellow was at. He sat sketching with a bit of chalk; but, oh! I stood astounded. I seized him by the hand and stammered in my turn, 'My boy, what an artist you are! You stagger me! It's magnificent!
Anton MauveRelated topics
air begin bit boy chalk chap coming companion cows fellow field went hours mauve morning off open paint refuse see sketching stagger stand turn under village workRelated quotes
It is one of the most beautiful characteristics of Theosophy that it gives back to people in a more rational form everything which was really useful and helpful to them in the religions which they have outgrown... in this teaching as to the immortality of the soul and the life after death, Theosophy...does not put forward these great truths merely on the authority of some sacred book of long ago; in speaking of these subjects it is not dealing with pious opinions, or metaphysical speculations, but with solid, definite facts, as real and as close to us as the air we breathe or the houses we live in - facts of which many among us have constant experience - facts among which lies the daily work of some of our students, as will presently be seen.
Charles Webster Leadbeater
The review was more a satisfaction to me than a joy. Joy, overpoweringly beautiful moments, comes to an artist without other noticing. The same is true for moments of sadness. That's why it is true that artists live mostly in solitude... Otto [Modersohn] and I shall be coming home [ Worpswede ] again in the spring. That man is touching in his love. We are going to try to buy the Brünjes place in order to make our lives together freer and more open... If the dear Lord will allow me once again to create something beautiful, then I shall be happy and satisfied; if only I have a place where I can work in peace. I will be grateful for the portion of love I've received. If one can remain healthy and not die too young..
Paula Modersohn-Becker
You misunderstood my words when I said that Michelangelo was a stupid artist... Because I have drunk from another source and a new and marvelous thirst burns my lips – how can I still believe in such artists?! I know what you are thinking when you ask me: 'isn't David a superman? This is how I used to feel, this is what I used to think. The majority of the world's great spirits thought it so.... but now a new air has entered my soul, a new song has reached my ears and the whole world appears totally changed – the autumn afternoon has arrived, the long shadows, the clear air, the serene sky –, in a word: Zarathustra has arrived, do you understand??.... It is only with Nietzsche that I can say I have begun a real life.
Giorgio de Chirico
Personally, I do not need a movement. What was given to me, I take for granted. Of all movements, I like Cubism most. It had that wonderful unsure atmosphere of reflection - a poetic frame where something could be possible, where an artist could practise [sic] his intuition. It didn't want to get rid of what went before. Instead it added something to it. The parts that I can appreciate in other [art] movements came out of Cubism. Cubism became a movement, it didn't set out to be one. It has force in it, but it was no 'force-movement.' And then there is that one-man movement, Marcel Duchamp - for me a truly modern movement because it implies that each artist can do what he thinks he ought to - a movement for each person and open for everybody.
Willem de Kooning
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Alan Moore