Where the artist is concerned it is a question of the conscious immersion in himself, through which, once he has got beyond the individual and contingent level, he can probe deep down to reach the living germs of total humanity. Everything that is humanly communicable is derived from this, and it is through the discovery of the psychic substrata that all men have in common that the relationship of author-work-spectator is made possible. In this way the work of art has the totemic value of living myth, without symbolic or descriptive dispersion: it is a primary and direct expression.
Piero ManzoniRelated topics
art beyond common contingent deep descriptive dispersion everything immersion men living myth once possible primary probe psychic question reach value way workRelated quotes
The process of transforming all direct experience into the supreme symbolic expression, language, monopolizes life. Like ideology, language conceals and justifies, compelling us to suspend our doubts about its claim to validity. It is the root of civilization, the dynamic code of civilization's alienated nature. As the paradigm of ideology, language stands behind all of the massive legitimation necessary to hold civilization together. It remains for us to clarify what forms of nascent domination engendered this justification, made language necessary as basic means of repression.
John Zerzan
The significance of a work of art is determined then by the quality of its growth. This involves intangible forces inherent in the process of development. Although these forces are surreal (that is, their nature is something beyond physical reality), they, nevertheless, depend on a physical carrier. The physical carrier (commonly painting or sculpture) is the medium of expression of the Surreal. Thus, an idea is communicable only when the surreal is converted into material terms. The artist's technical problem is how to transform the material with which he works back into the sphere of the spirit.
Hans Hofmann
You have never expressed any decided political opinions, and indeed I do not know if or how far you assent to the proposition that almost unlimited sacrifices of individual life and happiness are worth while to preserve the unique structure of power of which the keystone (the only conceivable and indispensable keystone) is the English Crown. I for my part find it the nearest thing in the world to an absolute (as opposed to a relative) value: it is like the outer circle that bound my universe, so that I cannot conceive anything beyond it.
Enoch Powell
He [the artist in general] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.
John Constable
There is no "scientific worldview" just as there is no uniform enterprise "science"- except in the minds of metaphysicians, school masters, and scientists blinded by the achievements of their own particular niche... There is no objective principle that could direct us away from the supermarket "religion" or the supermarket "art" toward the more modern, and much more expensive supermarket "science." Besides, the search for such guidance would be in conflict with the idea of individual responsibility which allegedly is an important ingredient of a "rational" or scientific age.
Paul Karl Feyerabend