I would write, edit, rewrite and re-edit the text. However, I still felt that I was miles away from the ideal version of the story born and still alive in me. I ran towards it with all my might and when I thought I had finally captured it, it would slip away from me and disappear. It looked more like an everlasting vision of an oasis in the mind of the thirsty pilgrim wandering in the desert. Finally, I realised I would never be able to record it in a way that makes myself completely happy with it. I had felt this earlier, but did not want to acknowledge the feeling, I did not want to feel defeated. Now I know - unless the writer suffers, goes through difficulties and finally, feels beaten, like me; if he writes the way he himself wants to write, if he wins over the story, he is dead and finished, as a writer... So, in a nutshell, the writer faces the possibility to die after finishing each of his/her works. However, it is better not to use that possibility until the end...
Miho MosulishviliRelated topics
able born beat dead desert die difficulties early end felt happy might mind now nutshell possibility ran rewrite slip story text thought thirsty use version vision way write works feels milesRelated quotes
What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.
Michael Jackson
The global reach of Smith's moral and political reasoning is quite a distinctive feature of his thought, but it is strongly supplemented by his belief that all human beings are born with similar potential and, most importantly for policymaking, that the inequalities in the world reflect socially generated, rather than natural, disparities.
There is a vision here that has a remarkably current ring. The continuing global relevance of Smith's ideas is quite astonishing, and it is a tribute to the power of his mind that this global vision is so forcefully presented by someone who, a quarter of a millennium ago, lived most of his life in considerable seclusion in a tiny coastal Scottish town. Smith's analyses and explorations are of critical importance for any society in the world in which issues of morals, politics and economics receive attention. The Theory of Moral Sentiments is a global manifesto of profound significance to the interdependent world in which we live.
Amartya Sen
Nonsense. I think that the problem isn't with them downloading the song, the problem is when they buy the record and when they burn a million discs off their computer for all their friends. That's the reason why every single band, no matter who you are, your sales are chopped by fifty to sixty percent after your first week out. It's a huge problem, but instead of giving people more reasons to buy the product, they don't worry about that. I think you have to enhance the value of the product. Like when KISS was putting out records, their 'Alive' record sold so well because it made you feel like you were part of the concert experience. There was also an actual program in the thing, all these pictures, the KISS Army stuff... There's so much stuff that added to the value of that package. There wasn't a KISS fan out there who didn't want the whole thing, because everything that came along with the music was so worthwhile to them. It's not rocket-science, this stuff.
David Draiman
I have just returned from a visit to Germany. ... I have now seen the famous German leader and also something of the great change he has effected. Whatever one may think of his methods - and they are certainly not those of a Parliamentary country - there can be no doubt that he has achieved a marvellous transformation in the spirit of the people, in their attitude towards each other, and in their social and economic outlook.
One man has accomplished this miracle. He is a born leader of men. A magnetic dynamic personality with a single-minded purpose, a resolute will, and a dauntless heart. He is the national Leader. He is also securing them against that constant dread of starvation which is one of the most poignant memories of the last years of the war and the first years of the Peace. The establishment of a German hegemony in Europe which was the aim and dream of the old prewar militarism, is not even on the horizon of Nazism.
David Lloyd George
Doctor No said, in the same soft resonant voice, ‘You are right. Mister Bond. That is just what I am, a maniac. All the greatest men are maniacs. They are possessed by a mania which drives them forward towards their goal. The great scientists, the artists, the philosophers, the religious leaders – all maniacs. What else but a blind singleness of purpose could have given focus to their genius, would have kept them in the groove of their purpose? Mania, my dear Mister Bond, is as priceless as genius. Dissipation of energy, fragmentation of vision, loss of momentum, the lack of follow-through - these are the vices of the herd.' Doctor No sat slightly back in his chair. ‘I do not possess these vices. I am, as you correctly say, a maniac – a maniac, Mister Bond, with a mania for power. That' – the black holes glittered blankly at Bond through the contact lenses – ‘is the meaning of my life. That is why I am here. That is why you are here. That is why here exists.'
Ian Fleming