![Fortunately however, is that [painting] school where Mother Nature is placed in the foreground, and where only she is consulted to representate 'truth' on the canvas or panel. Only he knows the secrets of the manifold diversity of nature. His painting is a faithful copy of nature - which is the highest praise for a painter.. (Barend Cornelis Koekkoek)](https://cdn.quotesdtb.com/img/quotes_images_webp/17/barend-cornelis-koekkoek-canvas-851317.webp)
Fortunately however, is that [painting] school where Mother Nature is placed in the foreground, and where only she is consulted to representate 'truth' on the canvas or panel. Only he knows the secrets of the manifold diversity of nature. His painting is a faithful copy of nature - which is the highest praise for a painter..
Barend Cornelis KoekkoekRelated topics
faithful foreground manifold mother nature panel praise school truthRelated quotes
I recommend [the students] that you should work actively at the Hermitage and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.
Kazimir Malevich
It appears to [Nietzsche] that the modern age has produced for imitation three types of man ... First, Rousseau's man, the Titan who raises himself ... and in his need calls upon holy nature. Then Goethe's man ... a spectator of the world ... [Third] Schopenhauer's man ... voluntarily takes upon himself the pain of telling the truth.
Georg Brandes
I should describe mine own nature as tripartite, my interests consisting of three parallel and dissociated groups-(a) Love of the strange and fantastic. (b) Love of the abstract truth and of scientific logick. (c) Love of the ancient and the permanent. Sundry combinations of these three strains will probably account for all my odd tastes and eccentricities.
H. P. Lovecraft
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter
The most violent revolutions in an individual's beliefs leave most of his old order standing. Time and space, cause and effect, nature and history, and one's own biography remain untouched. New truth is always a go-between, a smoother-over of transitions. It marries old opinion to new fact so as ever to show a minimum of jolt, a maximum of continuity.
William James