As an example, the exploits of one of Jahangir's commanders, Abdullah Khan Uzbeg Firoz Jung, can provide an idea of the excessive cruelty perpetrated by the government. Peter Mundy, who travelled from Agra to Patna in 1632 saw, during his four days' journey, 200 minars (pillars) on which a total of about 7000 heads were fixed with mortar. On his way back four months later, he noticed that meanwhile another 60 minars with between 2000 and 2400 heads had been added and that the erection of new ones had not yet stopped. Abdullah Khan's force of 12,000 horse and 20,000 foot destroyed, in the Kalpi-Kanauj area, all towns, took all their goods, their wives and children as slaves and beheaded and ‘immortered' the chiefest of their men.
JahangirRelated topics
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Here the Shah halted for two days more. Meantime, as early as the night of 26-27 Feb., he had detached Jahan Khan and Najib with 20,000 men, telling them, "Move into the boundaries of the accursed Jat, and in every town and district held by him slay and plunder. The city of Mathura is a holy place of the Hindus; .... let it be put entirely to the edge of the sword. Up to Agra leave not a single place standing.” The Shah also conveyed a general order to the army to plunder and slay at every place they reached. Any booty they might take was declared a free gift to them. Any person cutting oft and bringing in heads of infidels should throw them down before the tent of the chief minister, wherewith to build a high tower.
Ahmed Shah Durrani
It was around 1935 or 1936 that I first had the idea of compiling a history of art – not in the usual way, but considering only the fads that have succeeded one another down through the ages. For example, the infatuation in Roman times with broken pleats and heads turned in profile.... or during the epoch of Pérugin and Raphael, a certain blue that appears everywhere. I wanted to draw up an inventory of these vogues. To this end I visited museums, took notes in little notebooks, and made demonstrative sketches of paintings. For this purpose I preferred bad paintings, by which I mean those held to be mediocre by aesthetes, but in which these fads that interested me were clearly in evidence.
Jean Dubuffet
Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology.
Jean Baudrillard
The object of walking is to relax the mind. You should therefore not permit yourself even to think while you walk; but divert your attention by the objects surrounding you. Walking is the best possible exercise. Habituate yourself to walk very far. The Europeans value themselves on having subdued the horse to the uses of man; but I doubt whether we have not lost more than we have gained, by the use of this animal. No one has occasioned so much, the degeneracy of the human body. An Indian goes on foot nearly as far in a day, for a long journey, as an enfeebled white does on his horse; and he will tire the best horses. There is no habit you will value so much as that of walking far without fatigue.
Thomas Jefferson
José Clemente Orozco [became later a famous Mexican painter as well] and I would travel on the same trolley from Coyoacán to Mexico City, and I would carry his papers. We became pals, and I invited him to the house. I had painted four or five things when he visited, and he gave me a hug and said I had a lot of talent, and he chatted on about the horrors of Diego [Rivera]. There was beginning to be talk about Diego; that he had returned from Russia and was giving talks on on Russian theater and art. I would go to hear him. Afterwards, he began to paint at the Prepa. [Escuela Prepatoria] and later at the Secretaríade Educación. I was studying at the Prepa, but the [bus] accident [in 1925] messed me up.
Frida Kahlo