"There are moments when I feel Howards End peculiarly our own." "All the same, London's creeping." She pointed over the meadow--over eight or nine meadows, but at the end of them was a red rust. "You see that in Surrey and even Hampshire now," she continued. "I can see it from the Purbeck Downs. And London is only part of something else, I'm afraid. Life's going to be melted down, all over the world." Margaret knew that her sister spoke truly. Howards End, Oniton, the Purbeck Downs, the Oderberge, were all survivals, and the melting-pot was being prepared for them. Logically, they had no right to be alive. One's hope was in the weakness of logic. Were they possibly the earth beating time?
E. M. ForsterRelated topics
beating earth eight end hope nine now red right rust see sister something spoke weakness HampshireRelated quotes
I wasn't aware of Chargaff's rules when he said them, but the effect on me was quite electric because I realized immediately that if you had this sort of scheme that John Griffith was proposing, of adenine being paired with thymine, and guanine being paired with cytosine, then you should get Chargaff's rules. I was very excited, but I didn't actually tell Chargaff because it was something I was doing with John Griffith.... This was very exciting, and we thought "ah ha!" and we realized - I mean what anyone who is familiar with the history of science ought to realize - that when you have one-to-one ratios, it means things go to together. And how on Earth no one pointed out this simple fact in those years, I don't know.
Francis Crick
The method of the science not being practiced much nowadays, except what logic prescribes to all sciences generally, that fitted for the peculiar nature of metaphysics being simply ignored, it is no wonder that those who everlastingly turn the Sisyphean stone of this inquiry do not seem so far to have made much progress. Though here I neither can nor will expatiate upon so important and extensive a subject, I shall briefly shadow forth what constitutes no despicable part of this method, namely, the infection between sensuous and intellectual cognition, not only as creeping in on those incautious in the application of principles, but even producing spurious principles under the appearance of axioms.
Immanuel Kant
A woman. Alive. In the daylight.
He stood, mouth partly open, gaping at the woman. She was young, he could see now as she came closer; probably in her twenties. She wore a wrinkled and dirty white dress. She was very tan, her hair was red. In the dead silence of the afternoon Neville thought he heard the crunch of her shoes in the long grass.
I've gone mad. The words presented themselves abruptly. He felt less shock at that possibility than he did at the notion that she was real. He had, in fact, been vaguely preparing himself for just such a delusion. It seemed feasible. The man who died of thirst saw mirages of lakes. Why shouldn't a man who thirsted for companionship see a woman walking in the sun?
Richard Matheson
I met Beckett at my brother's [ w:Geert van Velde, also an abstract painter] place. That was a Big meeting [circa 1938, in Paris], in capital letters. It was before war started, life was still normal. That time I was very lonely. We saw each other often. Before the war he had published already something, but his fame came in 1953. We never spoke about his work. He was a taciturn man. Sometimes a word escaped from his mouth. Sure, a word you would never forget. It would stick in your head... This friendship with Beckett is the most important experience in my life. He was fully alive for my way of working. What he could express in words, I did with my paintings.
Bram van Velde
Every time my nose gushed blood, I felt like a little boy who'd wet his pants. I jumped out of the chair, pressed a handkerchief against my face, and hustled toward the nearest bathroom [...] How red the blood looked against the whiteness of the porcelain sink, I thought. How vividly imagined that color was, how aesthetically shocking. The other fluids that came out of us were dull in comparison, the palest of squirts. Whitish spittle, milky semen, yellow pee, green-brown mucus. We excreted autumn and winter colors, but running invisibly through our veins, the very stuff that kept us alive, was the crimson of a mad artist-a red as brilliant as fresh paint.
Paul Auster