I must confess that my estimate of Lovecraft would not have pleased his most ardent admirers. The view I expressed in that book was that, while Lovecraft was distinctly a creative genius in his own way, his pessimism should not be taken too seriously; that it was the pessimism of a sick recluse, and had about it an element of rassentiment, a kind of desire to take revenge on the world that rejected him. In short, Lovecraft was a 19th century romantic, born in the wrong time. Most men of genius dislike their own age, but the really great ones impose their own vision on the age. The weak ones turn away into a world of gloomy fantasy.
Colin WilsonRelated topics
age born book century creative desire element fantasy genius gloomy great impose men kind ones pessimism recluse revenge romantic should short sick take turn view vision way while wrongRelated quotes
For the truly creative mind in any field is no more than this - a human creature born abnormally, inhumanly sensitive. To him a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create - to create - to create - so that without the creating of music or poetry or books or buildings or something of beauty and meaning his very breath is cut off from him. He must create. He must pour out creation. By some strange unknown pressing inward urgency he is not really alive unless he is creating.
Pearl S. Buck
Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it - from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.
James Berardinelli
Always mystify, mislead, and surprise the enemy, if possible; and when you strike and overcome him, never let up in the pursuit so long as your men have strength to follow; for an army routed, if hotly pursued, becomes panic-stricken, and can then be destroyed by half their number. The other rule is, never fight against heavy odds, if by any possible maneuvering you can hurl your own force on only a part, and that the weakest part, of your enemy and crush it. Such tactics will win every time, and a small army may thus destroy a large one in detail, and repeated victory will make it invincible.
Stonewall Jackson
If... God highly exalted Christ because He humbled Himself, suffered dishonour, was tempted and endured a shameful cross and death for our sake, how will He save, glorify and raise us up if we neither choose humility, nor show love to our fellows, nor gain our souls by enduring temptation (cf. Lk. 21:19), nor follow the saving Guide through the 'strait gate' and along the 'narrow way' leading to eternal life (Mt. 7:14)? To this end we were called, says Peter, the chief Apostle, ' Because Christ also suffered for us, leaving us an example that we should follow His steps' (I Pet. 2:21).
Gregory Palamas
At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.
Jean-Michel Jarre