Deniers do not get their views just from simple mistakes about language and truth. Rather, they believe that there is something to worry about in important areas of our thought and in traditional interpretations of those areas; they sense that it has something to do with truth; and (no doubt driven by the familiar desire to say something at once hugely general, deeply important, and reassuringly simple) they extend their worry to the notion of truth itself.
Bernard WilliamsRelated topics
believe desire doubt drive general language once sense simple something thought traditional truth worryRelated quotes
To tell you the truth, I am rather perplexed about the concept of "art]. What one person considers to be "art" is often not "art" to another. "Beautiful" and "ugly" are old-fashioned concepts that are seldom applied these days; perhaps justifiably, who knows? Something repulsive, which gives you a moral hangover, and hurts your ears or eyes, may well be art. Only "kitsch" is not art - we're all agreed about that. Indeed, but what is "kitsch?"
M. C. Escher
[I]n my country, when they would say a man has no sense, they say, such an one has no memory; and when I complain of the defect of mine, they do not believe me, and reprove me, as though I accused myself for a fool: not discerning the difference betwixt memory and understanding, which is to make matters still worse for me. But they do me wrong; for experience, rather, daily shows us, on the contrary, that a strong memory is commonly coupled with infirm judgment.
Michel de Montaigne
With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use – I don't use the accident – 'cause I deny the accident.... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
Jackson Pollock
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
Laura Riding
Lichtenberg ... held something of the following kind: one should neither affirm the existence of God nor deny it. ... It is not that he wished to leave certain perspectives open, nor to please everyone. It is rather that he was identifying himself, for his part, with a consciousness of self, of the world, and of others that was "strange” (the word is his) in a sense which is equally well destroyed by the rival explanations.
Maurice Merleau-Ponty