I appreciated the sense of drama he wanted to inject into my existence and I was flattered that he thought I, or at least some essential if somewhat abstract principle within me, was worth saving.I also felt surging within me a fierce need to be independent. Of course I responded to the appeal of divine hydraulics, this system of souls damned or crowned or destroyed or held in suspense, these pulleys and platforms sinking and lifting on the great stage, and I recognized that my view of things seemed by contrast impoverished, lacking in degree and incident. But the charming intricacy of a myth is not sufficient to compel belief. I found no good reason to assume that the ultimate nature of reality happened to resemble the backstage of an opera house.
Edmund WhiteRelated topics
abstract contrast course degree divine drama felt found good great hold house intricacy lifting myth nature need reason sense somewhat surging suspense thought ultimate view worth backstage thingsRelated quotes
"I exist" does not follow from "there is a thought now." The fact that a thought occurs at a given moment does not entail that any other thought has occurred at any other moment, still less that there has occurred a series of thoughts sufficient to constitute a single self. As Hume conclusively showed, no one event intrinsically points to any other. We infer the existence of events which we are not actually observing, with the help of general principle. But these principles must be obtained inductively. By mere deduction from what is immediately given we cannot advance a single step beyond. And, consequently, any attempt to base a deductive system on propositions which describe what is immediately given is bound to be a failure.
Alfred Jules Ayer
In Maximus all the streams of the Greek patristic tradition flow together in synthesis. At the same time, with real originality, there is much from within that tradition that he takes to a higher level. But the course of this saint's life impressed me even more than his teaching. Once again, like Athanasius, one man was able to defend orthodox Christology against a whole empire. A Byzantine joins forces with Pope St. Martin I in Rome and finally suffers martyrdom for the true faith. This is the summit of that unity of doctrine and life which marks the whole patristic age; speculation and mysticism of the greatest subtlety are wedded to a soberly and consciously grasped martyrdom. In St. Maximus we can see in the Catholica what Kierkegaard found within the individual.
Hans Urs von Balthasar
I suspect it is this Camelot view that leads Miss Croce to be rather unfair to Gene Kelly...I should say the difference starts with their bodies. If you compare Kelly to Astaire, accepting Astaire's debonair style as perfection then, of course, Kelly looks bad. But in popular dance forms, in which movement is not rigidly codified, as it is in ballet, perfection is a romantic myth or a figure of speech, nothing more. Kelly isn't a winged dancer; he's a hoofer and more earthbound. But he has warmth and range as an actor...Astaire's grasshopper lightness was his limitation as an actor - confining him to perennial gosh-oh-gee adolescence;; he was always and only a light comedian and could function only in fairytale vehicles.
Fred Astaire
Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone.. .The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs.. .After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world.. .The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.
Gerhard Richter
On...rare and great occasions, on which the national mind has fully declared itself, I do not doubt your Lordships would yield to the opinion of the country-otherwise the machinery of Government could not be carried on. But there is an enormous step between that and being the mere echo of the House of Commons...I have no fear of the conduct of the House of Lords in this respect. I am quite sure-whatever judgment may be passed on us, whatever predictions may be made, be your term of existence long or short-you will never consent to act except as a free, independent House of the Legislature, and that you will consider any other more timid or subservient course as at once unworthy of your traditions, unworthy of your honour, and, most of all, unworthy of the nation you serve.
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury