![[T]he Christian philosopher of to-day has larger capacities and fuller knowledge than the Israelite of the time of Moses. What the one accepted as literal truth the other cannot accept save as a myth or figure. The children of Israel received without idealisation the statements of their great lawgiver. To them the tables of the law were true tablets of stone, prepared, engraved, broken, and re-engraved; while the graving tool which thus inscribed the law was held undoubtingly to be the finger of God. To us such conceptions are impossible. We may by habit use the words, but we attach to them no definite meaning. (John Tyndall)](https://cdn.quotesdtb.com/img/quotes_images_webp/26/john-tyndall-attach-children-325226.webp)
[T]he Christian philosopher of to-day has larger capacities and fuller knowledge than the Israelite of the time of Moses. What the one accepted as literal truth the other cannot accept save as a myth or figure. The children of Israel received without idealisation the statements of their great lawgiver. To them the tables of the law were true tablets of stone, prepared, engraved, broken, and re-engraved; while the graving tool which thus inscribed the law was held undoubtingly to be the finger of God. To us such conceptions are impossible. We may by habit use the words, but we attach to them no definite meaning.
John TyndallRelated topics
children christian definite finger great habit hold impossible israelite knowledge law lawgiver literal meaning myth save stone thus to-day truth use while wordsRelated quotes
Perfect freedom, spiritual as well as political or social, ... is accomplished in us by the death and resurrection of Jesus Christ. ... But it is strictly intolerable in the fullness of its implications. It is psychologically unbearable. It carries frightening social risks and is politically insulting to every form of power. It was not possible. On every social level and in every culture, people have found it impossible to take up this freedom and accept its implications. This is the basic impossibility, the unanimous refusal of all people, which has resulted in the rejection of Christian freedom.
Jacques Ellul
As Malaparte saw it, Naples was a pagan city with an ancient sense of time. Christianity taught those who were converted to it to think of history as the unfolding of a single plot – a moral drama of sin and redemption. In the ancient world there was no such plot – only a multitude of stories that were forever being repeated. Inhabiting that ancient world, the Neapolitans did not expect any fundamental alteration in human affairs. Not having accepted the Christian story of redemption, they had not been seduced by the myth of progress. Never having believed civilization to be permanent, they were not surprised when it foundered.
John N. Gray
I cannot help to say that Huey P. Newton is the baddest motherfucker ever to set foot inside of history. Huey has a very special meaning to black people, because for four hundred years black people have been wanting to do exactly what Huey Newton did, that is, to stand up in front of the most deadly tentacle of the white racist power structure, and to defy that deadly tentacle, and to tell that tentacle that he will not accept the aggression and the brutality, and that if he is moved against, he will retaliate in kind. Huey Newton is a classical revolutionary figure.
Eldridge Cleaver
To look forward, to want life, means we have to be willing to look backwards and become more conscious of all those who have hurt us, all that is broken in us and that has brought us inner deaths, hurts that we may have hidden and stifled. It means that we acknowledge the story of our origins, of our own lives, see and accept our brokenness and the times we also have hurt others. When we have accepted who we are and what we need in order to grow in compassion and peacemaking, we can move forward to give life. To forgive is a gift of God that permits us to let go of our past hurts.
Jean Vanier
When I want to do a painting with one colour overlapping another, it has to be a real overlap, not a depicted overlap. I didn't want to paint an overlap, meaning that it would be a deception or illusion. I no longer wanted to depict space, but to make a work that existed in literal space. Thus, my recent works are one canvas as a relief over another canvas. Another important example of a panel painting that explores the idea of the mural was Red Yellow Blue White 1952. It's the only one I ever did using actual dyed fabric of ready-made colours, which moves the painting into the realm of real objects.
Ellsworth Kelly