As for the clergy - No - If I say a word against them, I'll be shot. - I have no desire, - and besides, if I had, - I durst not for my soul touch upon the subject, - with such weak nerves and spirits, and in the condition I am in at present, 'twould be as much as my life was worth, to deject and contrist myself with so bad and melancholy an account, - and therefore, 'tis safer to draw a curtain across, and hasten from it, as fast as I can, to the main and principal point I have undertaken to clear up, - and that is, How it comes to pass, that your men of least wit are reported to be men of most judgment.
Laurence SterneRelated topics
account across bad clear comes condition desire draw judgment men pass point present principal shot soul touch wit word worth nerves TISRelated quotes
I have endeavour'd to make every thing so plain, that a very little Skill in Geometry may be sufficient to enable one to read this Book by himself. And upon this occasion I would advise all my Readers, who desire to make themselves Masters of this Subject, not to be contented with the Schemes they find here; but upon every Occasion to draw new ones of their own, in all the Variety of Circumstances they can think of. This will take up a little more Time at first; but in a little while they will find the vast Benefit of it, by the extensive Notions it will give them of the Nature of these Principles.
Brook Taylor
It is known that very distant nebulae, probably galactic systems like our own, show remarkably high receding velocities whose magnitude increases with the distance. This curious phenomenon promises to provide some important clues for the future development of our cosmological views. It maybe of advantage, therefore, to point out some of the principal facts which any cosmological theory will have to account for. Then a brief discussion will be given of different theoretical suggestions related to the above effect. Finally, a new effect of masses upon light will be suggested which is a sort of gravitational analogue of the Compton effect.
Fritz Zwicky
I have watched the French Emperor narrowly, and have studied his character and conduct. You may rely upon it that, at the bottom of his heart, there rankles a deep and inextinguishable desire to humble and punish England, and to avenge, if he can, the many humiliations - political, naval and military - which, since the beginning of this century, England has by herself and her allies inflicted upon France. He has sufficiently organised his military means; he is now stealthily but steadily organising his naval means; and when all is ready, the overture will be played, the curtain will draw up, and we shall have a very disagreeable melodrama.
Henry Temple, 3rd Viscount Palmerston
What wonderful things [Renoir is reacting on Corot's painting 'Interior of Chartres Cathedral' and Delacroix's 'Interior of M. de Mornay's house', – he saw in 1919 from his wheelchair, in the reopened painting-rooms of the Louvre]. There isn't a single big picture worth any more than these two little ones... The Director [of the Louvre] was so charming to me. I wish I could have thanked him properly. If you meet him, tell him how much I enjoyed my visit. If I'd presented myself at the Louvre in my wheelchair thirty years ago, they'd have shot me out fast enough! You see, one has to live a long time to see such changes. I've been one of the lucky ones.
Pierre-Auguste Renoir
Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great. One English critic took me to task for not saying that Genet was "afraid of intimacy" all his life because he'd been abandoned by his mother at the age of seven months. All the evidence needed to make such an interpretation is in my book, but I don't myself draw the vulgar conclusion. Since most literary biographies ignore the work except for potted plot summaries, they strip the biographee of everything redeeming and leave his or her subject to this spiteful revenge, this half-baked Freudian-Christian-bourgeois moralizing.
Edmund White