The movement of modern philosophy is back towards the position of the old Ionian philosophers, but strengthened and clarified by sound scientific ideas. If I publish my criticism on Comte, I should have to re-write it as a summary of philosophical ideas from the earliest times. The thread of philosophical development is not on the lines usually laid down for it. It goes from Democritus and the rest to the Epicureans, and then the Stoics, who tried to reconcile it with popular theological ideas, just as was done by the Christian Fathers. In the Middle Ages it was entirely lost under the theological theories of the time; but reappeared with Spinoza, who, however, muddled it up with a lot of metaphysics which made him almost unintelligible.
Baruch SpinozaRelated topics
almost christian criticism development done early lay lost metaphysics middle position rest should sound thread times try under comte DemocritusRelated quotes
Naturally man tended to lose his sense of scale and relation. A straight line, or a combination of straight lines, may have still a sort of artistic unity, but what can be done in art with a series of negative symbols? Even if the negative were continuous, the artist might express at least a negation; but supposing that Omar's kinetic analogy of the ball and the players turned out to be a scientific formula! supposing that the highest scientific authority, in order to obtain any unity at all, had to resort to the middle-ages for an imaginary demon to sort his atoms! how could art deal with such problems, and what wonder that art lost unity with philosophy and science! Art had to be confused in order to express confusion; but perhaps it was truest, so.
Henry Adams
The philosophy of nonviolence, which I learned from Dr. Martin Luther King, Jr., during my involvement in the civil rights movement was first responsible for my change in diet. I became a vegetarian in 1965. ... Under the leadership of Dr. King I became totally committed to nonviolence, and I was convinced that nonviolence meant opposition to killing in any form. I felt the commandment "Thou shalt not kill” applied to human beings not only in their dealings with each other-war, lynching, assassination, murder and the like-but in their practice of killing animals for food or sport. Animals and humans suffer and die alike. Violence causes the same pain, the same spilling of blood, the same stench of death, the same arrogant, cruel and brutal taking of life.
Dick Gregory
The free movement of the moral impulse to establish justice for animals generally and the claim of their rights from mankind are hidden in a natural psychic sensibility in the deeper layers of the Torah. In the ancient value system of humanity ... the moral sense had risen to a point of demanding justice for animals. ... Just as the democratic aspiration will reach outward through the general intellectual and moral perfection ... so will the hidden yearning to act justly towards animals emerge at the proper time. What prepares the ground for this state is the commandments, those intended specifically for this area of concern. There is indeed a hidden reprimand between the lines of the Torah in the sanction to eat meat.
Abraham Isaac Kook
Right thought is necessary to right conduct, right understanding to right living, and the Divine Wisdom – whether called by its ancient Sanskrit name of Brahma Vidyā, or its modern Greek name of Theosophia, Theosophy – comes to the world as at once an adequate philosophy and an all-embracing religion and ethic. It was once said of the Christian Scriptures by a devotee that they contained shallows in which a child could wade and depths in which a giant must swim. A similar statement might be made of Theosophy, for some of its teachings are so simple and so practical that any person of average intelligence can understand and follow them, while others are so lofty, so profound, that the ablest strains his intellect to contain them and sinks exhausted in the effort.
Annie Besant
We [the American Abstract-expressionist artists of the 1940's] were formed by the Depression [1930's], when the American dream lay in pieces on the floor. The possibility of making money was inconceivable to us. America was innocent in relation to modern art, and no one cared. The reigning painters in America were very parochial in relation to the international tradition... What held us together was our ambition to use the standards of international modernism as a gauge, not those of Thomas Hart Benton or Grant Wood or Guy Pene du Bois. We did have a terrible struggle, but not for success. It was to make painting that would stand up under international scrutiny, and all the rest was a byproduct.
Robert Motherwell