Well I was concerned, back even at that early age of not quite 28, that as an African American woman entering the field of national security and foreign policy for the first time, that if I accepted a job in African policy at that stage without having demonstrated my ability to work on a wider range of issues, I feared, I think legitimately, ... that I might well get pigeonholed in Africa. That people in this predominantly white national security establishment would see me as black working on Africa - and therefore not capable of, or suited to do, anything else. And I made that choice. Looking back on it, it was quite a bracing thing to do to turn down at that age a substantive policy job.
Susan RiceRelated topics
ability african age anything black bracing choice early establishment field foreign having job looking might national quite security see substantive thing turn well white woman work workingRelated quotes
[Speaking about the US military's Don't Ask, Don't Tell policy] The health of a democracy is directly dependent on hearing the voices of its individual citizens. Silence is destructive. What could mar our safety more than this restrictive policy that requires its citizens' silence? What could mar our safety more than this restrictive policy that quietly attacks its own citizens' very selfhood out of fear? What keeps us truly unsafe as a country on a day-to-day basis is our inability to look inside and experience ourselves as a multitude, as a complexity. And as sure as I'm standing here, things are not always black or white, but sometimes they can be both.
Jennifer Beals
You have nothing on me, Senator, except my name on lists of names from Iraq, many of which have been drawn up after the installation of your puppet government in Baghdad. There were 270 names on that list originally. That's somehow been filleted down to the names you chose to deal with in this committee. Some of the names on that committee included the former secretary to his Holiness Pope John Paul II, the former head of the African National Congress Presidential office and many others who had one defining characteristic in common: they all stood against the policy of sanctions and war which you vociferously prosecuted and which has led us to this disaster.
George Galloway
[N]early every political evil can be found on display in China: slavery, discrimination, religious persecution, xenophobia, tyranny, mass-political indoctrination, colonialism, cultural genocide, and so on. And yet, the outcry against these things in America and the West is a tiny fraction of what it was with regard to South Africa in the 1980s or Israel today. Why? Some of the political answers are pretty obvious - and have much merit. A few that come to mind: China is non-Western, and many of these sins are supposed to be unique to white Europeans; China is a victim (or "victim”) of colonialism, and so we shouldn't judge it harshly; China is very powerful, and realpolitik dictates that we be diplomatic; and so on.
Jonah Goldberg
As far as casualties were concerned I think there were more casualties in the first attack on Tokyo with incendiaries than there were with the first use of the atomic bomb on Hiroshima. The fact that it's done instantaneously, maybe that's more humane than incendiary attacks, if you can call any war act humane. I don't, particularly, so to me there wasn't much difference. A weapon is a weapon and it really doesn't make much difference how you kill a man. If you have to kill him, well, that's the evil to start with and how you do it becomes pretty secondary. I think your choice should be which weapon is the most efficient and most likely to get the whole mess over with as early as possible.
Curtis LeMay
The conflict between the theories of Surrealism & pure abstraction leads many to look upon one as black & bad & the other as white & good. Yet it seems to me that a good work of art has always contained both abstract & surrealist elements – just as it has both classical & romantic elements (order & surprise?).. .Surrealism is widening the field of contemporary art & is giving more freedom to the artist (& perhaps what is not unimportant, – stretching the appreciation of the public). Abstraction is re-establishing fundamental laws; bringing back form to painting & sculpture. There are many products of surrealism which I personally dislike,.. ..but equally Unimportant to me are the empty decorations produced in the name of abstraction.
Henry Moore