We don't need to be in dire straits to need to feel hope. On a perfectly beautiful, sunny, clear day when everything is going just right, you can still use hope. That we are able to be content within is the most hopeful message there is. That we can find that one thing the heart has searched for, for so long, is a very hopeful message. That's the message I bring. And that brings people hope. That is what is important for all of us: that hope, that idea of self-fulfillment, that idea of being able to have contentment in one's life.
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Alas! what boots it with incessant care
To tend the homely slighted shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights, and live laborious days;
But the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th' abhorrèd shears,
And slits the thin-spun life.
John Milton
Futurism and Cubism are comparable in importance to the invention of perspective, for which they substituted a new concept of space. All subsequent movements were latent in them or brought about by them.. ..the two movements cannot be regarded as in opposition to each other, even though they started from opposite points; I maintain [an idea approved by Appolinaire and later by Matisse that they are two extremes of the same sign, tending to coincide at certain points which only the poetic instinct of the painter can discover: 'poetry' being the content and 'raison d'tre' of art.
Gino Severini
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.
Max Beckmann
With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.
Jean Dubuffet
In this uncertain space between birth and death, especially here at the end of the world in Moonlight Bay, we need hope as surely as we need food and water, love and friendship. The trick, however, is to remember that hope is a perilous thing, that it's not a steel and concrete bridge across the void between this moment and a brighter future. Hope is no stronger than tremulous beads of dew strung on a filament of spider web, and it alone can't long support the terrible weight of an anguished mind and a tortured heart.
Dean Koontz