If each us had a different kind of sense perception - if we could only perceive things now as a bird, now as a worm, now as a plant, or if one of us saw a stimulus as red, another as blue, while a third even heard the same stimulus as a sound - then no one would speak of such a regularity of nature, rather, nature would be grasped only as a creation which is subjective in the highest degree. After all, what is a law of nature as such for us? We are not acquainted with it in itself, but only with its effects, which means in its relation to other laws of nature - which, in turn, are known to us only as sums of relations. Therefore all these relations always refer again to others and are thoroughly incomprehensible to us in their essence.
Friedrich NietzscheRelated topics
bird degree different incomprehensible kind known law nature now perception plant red saw sense sound speak stimulus third turn while worm means others relations things LawsRelated quotes
Let us not despair; it is a blessed cause, and success, ere long, will crown our exertions. Already we have gained one victory; we have obtained, for these poor creatures, the recognition of their human nature, which, for a while was most shamefully denied. This is the first fruits of our efforts; let us persevere and our triumph will be complete. Never, never will we desist till we have wiped away this scandal from the Christian name, released ourselves from the load of guilt, under which we at present labour, and extinguished every trace of this bloody traffic, of which our posterity, looking back to the history of these enlightened times, will scarce believe that it has been suffered to exist so long a disgrace and dishonour to this country.
William Wilberforce
Many solutions are offered as to how to gain the something more in life. ...Wealth, strength, and keenness of intellect, taken separately of together, do not constitute the essence of real life. ...At its best, life consists of these things, plus something more. ...In Jesus Christ we see perfection in life. ...From an imperfect understanding of Jesus Christ, it would appear that real life depends upon the fulfilling of three conditions-the dwelling on friendly and affectionate terms with God, with ourselves, and with our fellowmen. ...If we fulfill to any degree these three conditions of being in friendly relations with God, ourselves, and our fellows, we shall discover something more of the meaning of life.
Kirby Page
I've always been surprised at the degree of success of The Mirror and the Lamp and the range and duration of esteem for it. ... I had no reason to expect in 1953 that it would appeal to more than a specialized group interested in literary criticism. I think one of the reasons why it's been of interest to a broad spectrum of readers is because one of its emphases was on the role of metaphors in steering human thinking. It was a very early book to insist on the role of metaphors in cognition, as well as in imaginative literature - to claim that key metaphors help determine what and how we perceive and how we think about our perceptions. ... Natural Supernaturalism is quite well known and even used as a textbook, but it never seems to have attracted the acclaim of its predecessor.
M. H. Abrams
When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.... how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term[? ]. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.... he [Mr. Garrick] must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.
Thomas Gainsborough
The new discovery that I have made in painting is the following. There are chords of colors, let's say a certain red and green, which move, shimmer when you look at them. Now if you're looking at a tree in a landscape, you can either look at the tree, or at the landscape, but not both, because of the stereoscopic effect. Now, when you are painting something three-dimensional, the chromatic sound which shimmers is the three-dimensional effect of colour, and when you paint a landscape, and the green foliage shimmers a little with the blue sky showing through it, that happens because the green is on a different plane from the sky in nature too. Finding the space-shaping energies of colour, instead of contenting ourselves with a dead chiaroascuro, is our finest task.
August Macke