One room after another in the British museum took my enthusiasm. The Royal College of Art meant nothing in comparison. Every Wednesday, Saturday, and Sunday I would go to the British Museum. But not till after three months did things begin to settle into any pattern of reality for me. Till then everything was wonderful – a new world at every turn. That is the value of the British Museum: you have everything behind you; you are free to try to find out your own way and, after a while, to find what appeals to you most. And after the first excitement it was the art of ancient Mexico that spoke to me most – except perhaps Romanesque, or early Norman. And I admit clearly and frankly that early Mexican art formed my views of carving as much as everything I could do.
Henry MooreRelated topics
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Well, it's the only picture I ever wanted to own ['Three Bathers' of Cézanne ]. It's a Cézanne and the joy of my life. I saw it about a year ago in an exhibition and I was stunned by it. I didn't sleep for two or three nights trying to decide whether to.. .To me it is marvelous. Monumental.. .It's not perfect, it's a sketch. But then I don't like absolute perfection. I believe one should make a struggle towards something one can't do rather than do the thing that comes easily. Perhaps another reason is why I fell for it is that the type of woman he portrays is the same kind as I like. Each of the figures I could turn in into a piece of sculpture, very simple. Not young girls but that wide, broad, mature woman. Matronly.
Henry Moore
I feel the conflict still exists in me – but not causing me any difficulty in working, as it did immediately after returning from Italy [in 1925]. In fact I ask myself is this [the] conflict what makes things happen? For it seems to me now that this conflict between the excitement & great impression I got from Mexican sculpture & the love & sympathy I felt for Italian art, represents two opposing sides in me, the 'tough' & the 'tender', & that many other artists have had the same two conflicting sides in their natures.. ..and really I see no difficulty in appreciating both sides & finding them in the same artist. Perhaps an obvious & continuous synthesis will eventually derive in my own work – I can't say – I can only work as I feel & believe at the time I do the work.
Henry Moore
Did you know that when God made the universe, he didn't lift one finger? He didn't turn one screw or pound one nail. He just spoke and every molecule lined up. That's incredible to think about. When He speaks, the waves lay down; the wind quits blowing. When He speaks, the dead come to life. When He speaks, the universe is created! Everything obeys the voice of God, except us. He's having some trouble out of us right now. But He's going to fix that one of these days when "every knee shall bow and every tongue shall confess that Jesus Christ is Lord to the glory of God the Father," coming to a city near you. But the scoffers are willingly ignorant of how God made the heavens by His Word, and they're ignorant of how the earth was standing out of the water and in the water.
Kent Hovind
At the end of the bronze age a residue of Greek tribes stayed behind in Southern Macedonia[...] one of these, the "Makedones" occupied Aegae and expanded into the coastal plain of lower Macedonia which became the Kingdom of Macedon; their descendants were the Macedonians proper of the classical period and they worshipped Greek gods. The other Greek tribes became intermingled in upper Macedonia with Illyrians, Paeonians and Thracians[...] in the early 5th century the royal house of Macedon, the Temenidae was recognised as Greek by the Presidents of the Olympic Games. Their verdict was and is decisive. It is certain that the Kings considered themselves to be of Greek descent from Heracles son of Zeus. "Macedonian" was a strong dialect of very early Greek which was not intelligible to contemporary Greeks.
N.G.L. Hammond
In 1934 I warned Mr. Baldwin that the Germans had a secret Air Force and were rapidly overhauling ours. I gave definite figures and forecasts. Of course, it was all denied with all the weight of official authority. I was depicted a scaremonger. Less than six months after Mr. Baldwin had to come down to the House and admit he was wrong. ... He got more applause for making this mistake, which may prove fatal to the British Empire and to British freedom, than ordinary people would do after they rendered some great service which added to its security and power. Well, Mr. Chamberlain was, next to Mr. Baldwin, the most powerful Member of that Government. He was Chancellor of the Exchequer. He knew all the facts. His judgment failed just like that of Mr. Baldwin and we are are suffering from the consequences today.
Winston Churchill