The Imperial Palace of Japan is like a breathtaking oasis snoozing in the midst of a concrete panorama. That the Tokyo Metropolitan Government painstakingly built their Capital City around the Imperial Palace is clearly reflective of the centrality of the monarchy's unifying role in the life of Japanese society. It is a heart-warming thought and a valuable lesson to glean, in terms of its overall resilience to the challenges of modernization. As I see it, this feature of indigenous heritage is itself the most obvious common denominator between the Japanese and the Fijian peoples. The Japanese are being able to safeguard against an erosion of their respect, passion and regard for the Imperial Family in the face of external pressures. In the long run, this will, as a uniting stand, ensure their survival as a community of people. Now, that should certainly be a lesson for Fiji to learn from.
Tevita MomoedonuRelated topics
able built centrality city common concrete denominator erosion face family feature fijian government imperial japan learn metropolitan midst modernization now overall palace panorama passion resilience respect run see should stand thought unifying valuable Fiji peoplesRelated quotes
It has always been my ambition since childhood to live such a life that one day my fellow citizens would call me to membership in this popular branch of the greatest lawmaking body in the world. Out of their confidence and partiality they have done this. It is now my sole purpose here to help enact such wise and just laws that our common country will by virtue of these laws be a happier and a more prosperous country. I have always dreamed of a country which I believe this should be and will be, and that is one in which the citizenship is an educated and patriotic people, not swayed by passion and prejudice, and a country that shall know no East, no West, no North, no South, but inhabited by a people liberty loving, patriotic, happy, and prosperous, with its lawmakers having no other purpose than to write such just laws as shall in the years to come be of service to human kind yet unborn.
Sam Rayburn
Strictly speaking, the word hypnotism should be reserved only for those patients who actually fall into a state of sleep, and who forget upon awakening all that occurred during this state. When this is lacking, it is a question merely of reverie or dreaming. It would therefore be apposite to establish a terminology, characterising these modifications which result from the hypnotic process; indeed, with regard to those conditions resistant to ordinary medication and suitable for cure by hypnotism, hardly one patient in ten arrives at the unconscious stage of sleep (at least for the whole duration of the process). The word "hypnotism” can then lead them into error and make them believe that they do not benefit in any way from a process of which the characteristic and obvious effects do not appear to be those that the name [i. e., "hypnotic sleep"] indicates.
James Braid
In consequence of this arrangement I began to construct the forty-foot telescope about the latter end of 1785. The woodwork of the stand and machines for giving the required motions to the instrument were immediately put in hand. In the whole of the apparatus none but common workmen were employed, for I made drawings of every part of it, by which it was easy to execute the work, as I constantly inspected and directed every person's labor; though sometimes there were not less than forty different workmen employed at the same time. While the stand of the telescope was preparing, I also began the construction of the great mirror, of which I inspected the casting, grinding, and polishing, and the work was in this manner carried on with no other interruption than that occasioned by the removal of all the apparatus and materials from where I then lived, to my present situation at Slough.
William Herschel
When I was born 20.6. [18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.... and at all I have much fun about Art.
Kurt Schwitters
Whatever be the substance which takes possession of such a soul, it will produce the same result, and will change into a pretext for not conforming to any concrete purpose. If it appears as reactionary or anti-liberal it will be in order to affirm that the salvation of the State gives a right to level down all other standards, and to manhandle one's neighbour, above all if one's neighbour is an outstanding personality. But the same happens if it decides to act the revolutionary; the apparent enthusiasm for the manual worker, for the afflicted and for social justice, serves as a mask to facilitate the refusal of all obligations, such as courtesy, truthfulness and, above all, respect or esteem for superior individuals. ... As regards other kinds of Dictatorship, we have seen only too well how they flatter the mass-man, by trampling on everything that appeared to be above the common level.
José Ortega y Gasset