The function [of objective thinking] is to reduce all phenomena which bear witness to the union of subject and world, putting in their place the clear idea of the object as in itself and of the subject as pure consciousness. It therefore severs the links which unite the thing and the embodied subject, leaving only sensible qualities to make up our world (to the exclusion of the modes of appearance which we have described), and preferably visual qualities, because these give the impression of being autonomous, and because they are less directly linked to our body and present us with an object rather than introducing us into an atmosphere. But in reality all things are concretions of a setting, and any explicit perception of a thing survives in virtue of a previous communication with a certain atmosphere.
Maurice Merleau-PontyRelated topics
appearance atmosphere bear body certain clear communication idea leaving less objective perception place present pure putting thing thinking virtue visual witness things linksRelated quotes
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer's deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.
Theo van Doesburg
The new painter owes the abstract artist a debt for giving him his language, but the new painting is concerned with a new type of abstract thought... He [the new painter] is declaring that the art of Western Europe is voluptuous art first, an intellectual art by accident. He is reversing the situation by declaring that art is an expression of the mind first and whatever sensuous elements are involved are incidental to that expression. The new painter is therefore the true revolutionary, the real leader who is placing the artist's function on its rightful plane of the philosopher and the pure scientist who is exploring the world of ideas, not the world of the senses.... so the artist is today giving us a vision of the world of truth in terms of visual symbols.
Barnett Newman
[T]he last 15 years have witnessed the ascent of an alternative view, that of embodied or enactive cognition. This new wave arose because the computationalist doctrine failed to account even for the most elementary coping with the world: walking, perceiving object in a natural setting, imagination. Slowly the cards turned into considering that the basis of mind is the body in coupled action, that is, the sensory-motor circuits establish the organism as viable in situated contexts. From this perspective the brain appears as a dynamical process (and not a syntactic one) of real time variables with a rich self-organizing capacity (and not a representational machinery). So in this sense the mind is not in the head since it is roots in the body as a whole and also in the extended environment where the organism finds itself.
Francisco Varela
A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it. I thought I was writing books one after the other in a disjointed way, in successive bouts of oblivion, but often the same faces, the same names, the same places, the same phrases keep coming back in book after book, like patterns on a tapestry woven while half asleep. While half asleep or while daydreaming. A novelist is often a sleepwalker, so steeped is he in what he must write, and it is natural to worry when he crosses the road in case he is run over. Do not forget, though, the extreme precision of sleepwalkers who walk over roofs without ever falling off.
Patrick Modiano
No man can defend or palliate such conduct as that of Smith O'Brien and his confederates. It would be a mercy to shut them up in a lunatic asylum. They are not seeking a repeal of the legislative union, but the establishment of the Kings of Munster and Connaught! But the sad side of the picture is in fact that we are doing nothing to satisfy the moderate party in Ireland, nothing which strengthens the hands even of John O'Connell and the priest party, who are opposed to the 'red republicans' of the Dublin clubs. There seems to be a strong impression here that this time there is to be a rebellion in Ireland. But I confess I have ceased to fear or hope anything from that country. Its utter helplessness to do anything for itself is our great difficulty. You can't find three Irishmen who will co-operate together for any rational object.
Richard Cobden