The form of a coast, the configuration of the interior of a country, the existence and extent of lakes, valleys, and mountains, can often be traced to the former prevalence of earthquakes and volcanoes in regions which have long been undisturbed. To these remote convulsions the present fertility of some districts the sterile character of others, the elevation of land above the sea, the climate, and various peculiarities, may be distinctly referred.
Charles LyellRelated topics
above character climate configuration country elevation form interior land present prevalence sea othersRelated quotes
Anyone who has read Yeats's wonderful Autobiography will remember his Sligo-shabby, shadowed, half country and half sea, full of confused romance, superstition, poverty, eccentricity, unrecognized anachronism, passion and ignorance and the little boy's misery. Yeats was treated well but was bitterly unhappy; he prayed that he would die, and used often to say to himself: "When you are grown up, never talk as grown-up people do of the happiness of childhood.”.
Randall Jarrell
I am a strange compound of weakness and resolution! However, if I must suffer, I will endeavour to suffer in silence. There is certainly a great defect in my mind - my wayward heart creates its own misery - Why I am made thus I cannot tell; and, till I can form some idea of the whole of my existence, I must be content to weep and dance like a child - long for a toy, and be tired of it as soon as I get it.
Mary Wollstonecraft
At present, when the prevailing forms of society have become hindrances to the free expression of human powers, it is precisely the abstract branches of science, mathematics and theoretical physics, which ... offer a less distorted form of knowledge than other branches of science which are interwoven with the pattern of daily life, and the practicality of which seemingly testifies to their realistic character.
Max Horkheimer
I never did know exactly what was meant by the term "The Beats," but let's say that the original meeting, association, comradeship of Allen Ginsberg, myself, Michael McClure, Lawrence Ferlinghetti, Philip Whalen, who's not here, Lew Welch, who's dead, Gregory Corso, for me, to a somewhat lesser extent (I never knew Gregory as well as the others) did embody a criticism and a vision which we shared in various ways, and then went our own ways for many years.
Gary Snyder
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.
Max Beckmann