Nature has always been recorded by artists, from prehistoric cave paintings to twentieth-century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking ... My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere'. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art.
Richard LongRelated topics
art early field grass idea line making natural nature nowhere outside path photography recording sculpture simple straight subsequent using walking water way work working works waysRelated quotes
The abstracts are the opposite to work on. That process is more like walking, step by step, without an intention, until you discover where you are going. When I paint a landscape from a photograph or an image like this one, I can see the end point before I start, although in fact it always turns out slightly different than I imagined. What I have is not facility, because this really doesn't take skill. I have an eye. I couldn't make a drawing of you sitting here right now. I would love to have that ability, in the same way that I would love to play the piano. Virtuosity is a precondition for pianists, but in addition you have to be good. These are not the same thing.
Gerhard Richter
The first law is the same for both light and material bodies; they both move in a straight line, as long as they are not deflected by an outside force.
The second law is also the same as that governing the reflection of an elastic ball from an impenetrable surface. Mechanics shows that such a ball is reflected from such a surface so that its angle of reflection equals its angle of incidence, as observed for light.
But the third law still requires a plausible explanation. The passage of light from one medium to another exhibits behavior that is totally different from a ball moving through different media.
Pierre Louis Maupertuis
How do things stand, now, if the subject contains a large element of pathos?... Consider such an interesting subject as the scene taking place around the bed of a dying woman, for example; seize and render that ensemble by photography, if that is possible [photography was a very recent invention in Paris ca. 1853, a. o. by the photographer Nadar ]: it will be falsified in a thousand ways. The reason is that, according to the degree of your imagination, the subject will appear to you more or less beautiful, you will be more or less the poet in that scene in which you are an actor; you see only what is interesting, whereas the instrument puts in everything.
Eugène Delacroix
THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
Edgar Allan Poe
It is almost irresistible for humans to believe that we have some special relation to the universe, that human life is not just a more-or-less farcical outcome of a chain of accidents reaching back to the first three minutes, but that we were somehow built in from the beginning. ... It is very hard to realise that this is all just a tiny part of an overwhelmingly hostile universe. It is even harder to realise that this present universe has evolved from an unspeakably unfamiliar early condition, and faces a future extinction of endless cold or intolerable heat. The more the universe seems comprehensible, the more it also seems pointless.
Steven Weinberg