I'm afraid I'm not very good at Latin, said the superintendent. On the other hand I sometimes think about arithmetic; and in particular about one number – the number One. But I will admit that it is also the most incomprehensible number in the world. Beyond this particular dimension I know only one thing which is supernatural, even though it may well be the reality that affects mortal men most deeply; and that is Time. And when one comes to think about this strange place I was telling you about, the world that is only One, and its connection with the only supernatural thing we know, Time, then everything ceases to be higher or lower than anything else, larger or smaller.
 
    
        Halldór Laxness 
     
    
     
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        Look round the world: contemplate the whole and every part of it: You will find it to be nothing but one great machine, subdivided into an infinite number of lesser machines, which again admit of subdivisions, to a degree beyond what human senses and faculties can trace and explain. All these various machines, and even their most minute parts, are adjusted to each other with an accuracy, which ravishes into admiration all men, who have ever contemplated them. The curious adapting of means to ends, throughout all nature, resembles exactly, though it much exceeds, the productions of human contrivance; of human design, thought, wisdom, and intelligence. 
         
 
    David Hume 
 
                 
            
        
     
    
    
    
    
                                        
                    
    
        The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to "game stats.” If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu's "strength,” "dexterity,” and so on, carefully expressed numerically. There's something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it's a kind of exaggeratedly precise approach to secondary world creation. 
         
 
    China Miéville 
 
                 
            
        
     
    
    
    
    
                                        
                    
    
        So, too, in the Vedanta the whole world is seen as the lila and the maya of the Self, the first word meaning "play" and the second having the complex sense of illusion (from the Latin ludere, to play), magic, creative power, art, and measuring-as when one dances or draws a design to a certain measure. From this point of view the universe in general and playing in particular are, in a special sense, "meaningless": that is, they do not-like words and symbols-signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong. 
         
 
    Alan Watts