After our victory in Afghanistan and the defeat of the oppressors who had killed millions of Muslims, the legend about the invincibility of the superpowers vanished. Our boys no longer viewed America as a superpower. So, when they left Afghanistan, they went to Somalia and prepared themselves carefully for a long war. They had thought that the Americans were like the Russians, so they trained and prepared. They were stunned when they discovered how low was the morale of the American soldier. America had entered with 30,000 soldiers in addition to thousands of soldiers from different countries in the world. ... As I said, our boys were shocked by the low morale of the American soldier and they realized that the American soldier was just a paper tiger.
Osama bin LadenRelated topics
defeat different went invincibility left legend longer low morale paper soldier stun thought tiger victory war Afghanistan superpower boys SomaliaRelated quotes
Earlier this year we went skiing and I was in a shop, paying a bill and there was a woman standing there whom I knew slightly. I was waiting for my bill and she was buying something, a tea strainer. Quite suddenly she said to me, 'Where was your Father killed?'. I was very surprised and blurted out 'Oh Anzio'. Now this is a woman of about my age, so she's 40-ish. She said, 'My Father was killed in the war'. Apparently somebody lent her a copy of 'The Final Cut' and she had listened to the whole thing and she had found it very moving. In fact she said it had moved her to tears. She told me this, standing in the shop, with some effort I suspect, and I remember thinking: That's enough really. It doesn't matter if the Americans don't buy it.
Roger Waters
My work in this area started around 1950 when I was still with the Cowles Commission. I was writing a more or less expository paper dealing with activity analysis...and happened to use the term "decentralization,” which was then often applied to the market mechanism as a sort of a selling point. But when I used the word "decentralization” I thought I should explain what I meant. So I made a footnote mark, went to the bottom of the page, and began writing, "By decentralization we mean...” But then it struck me that I did not know what we meant by decentralization. That was the beginning of many years of work trying to clarify the concept, because I thought that if we think this property is so important, we should be able to define what it is.
Leonid Hurwicz
We are Communist, you are Capitalist. You have your ideas, we have ours. But I tell you this much: many American generals are very often sorry that they have no ideal to plant in the heart of the American soldier, so he will be willing to die for that ideal. You are jealous of us for this. The Communist soldier, the Red Army soldier, has such an ideal in his heart. He has it because he considers the ideal of the commander his own ideal. Your generals in Korea were sorry that Americans were not fighting willingly. We couldn't tell them why this was so, but I will tell you why. There is a difference between us. We have an advantage over you. We have an ideal for which we are prepared to die. You have not.
Rodion Malinovsky
Dada is a farce, a legend, a state of myth. A badly behaved myth whose subterranean survival and capricious manifestation upset everyone.. .The aesthetic of absolute negativity has been changed into methodical doubt, thanks to which it will finally be able to incarnate new signs.. .After the NO and the ZERO, there is a third position for the myth; the anti-art gesture of Marcel Duchamp has been charged with positive energy. The Dada spirit identifies itself with a method of appropriation of exterior reality of the modern world.. .The ready-made is no longer the height of negativity or of polemic, but the basis element of a new expressive repertoire. Such is the New Realism: a direct means for getting one's feet back on the ground but at 40 degree above Dada zero.
Gerhard Richter
The zealous care with which J. M. W. Turner endeavoured to do his duty, is proved by a large existing series of drawings, exquisitely tinted, and often completely coloured, all by his own hand, of the most difficult perspective subjects-illustrating not only directions of line, but effects of light - with a care and completion which would put the work of any ordinary teacher to utter shame. In teaching generally - he would neither waste time nor spare it - he would look over a student's drawing at the Academy, point to a defective part, make a scratch on the paper at the side, say nothing. If the student saw what was wanted, and did it, Turner was delighted; but if the student could not follow. Turner left him.
John Ruskin