I merge what I call the organic with what I call the abstract, which is what you are calling the geometric. As I see both scales, I need to merge these two in the ever-present. What they symbolize I have never stopped to decide. You might want to read it as matter and spirit and the need to merge as against the need to separate. Or it can be read as male and female.
Lee KrasnerRelated topics
abstract calling call female male matter might merge need organic read see spirit stop ever-presentRelated quotes
We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter's evening. Some of us let these dreams die, but others nourish and protect them nurse them through bad days till they bring them to the sunshine and light which comes always to those who hope that their dreams will come true.
Woodrow Wilson
I think there's a time to work, and everyone has to kind of adjust. And then there's a time to relax, and be the mom or take the kids on vacation when you need to wind down. So it's a matter of planning, and being able to map out your year or your week or let's start with the day. It is just being multi-tasking and being available.
Vanessa L. Williams
The bread which you hold back belongs to the hungry; the coat, which you guard in your locked storage-chests, belongs to the naked; the footwear mouldering in your closet belongs to those without shoes. The silver that you keep hidden in a safe place belongs to the one in need. Thus, however many are those whom you could have provided for, so many are those whom you wrong.
Basil of Caesarea
Let us pass to the despotic part of the soul, spirit. We must not eliminate it utterly from the youth nor yet allow him to use it all the time. Let us train boys from earliest childhood to be patient when they suffer wrongs themselves, but, if they see another being wronged, to sally forth courageously and aid the sufferer in fitting measure.
John Chrysostom
In shows selected by artists where there is no consciousness of sex, as in the American Abstract Artist Shows which began in the late 1930's or the Artists Annuals of the early 1950's, the ratio [between male and female artists presented there] seemed to be between one third and one quarter women. The only way to arrive at a true ratio, I suppose, would again be to have artist-juried shows.
Elaine de Kooning