This Don Giovanni had heat, passion and total commitment from everyone involved under dynamic, dramatic direction of conductor Metodi Matakiev. The Don was Lithuanian baritone Vytautas Juozapaitis, a highly physical, Douglas Fairbanks / Errol Flynn kind of Don. Tall, dark, quite handsome, a really sexy beast possessed of a bronze colored voice of power and some suavity, completely at ease on stage, and finally a Don who actually ENJOYS to the hilt the life of a promiscuous hedonist. He was close to irresistible.
Vytautas JuozapaitisRelated topics
baritone beast close colored conductor dark direction dynamic ease everyone heat hilt kind lithuanian passion power quite tall under voice hedonistRelated quotes
Without dynamic conquering spirit, even devotion to a divine cause will be of little avail In this hard world which is an arena for trial of strength with brute forces, mere goodness or noble virtues will not hold the field for a single moment. That is why we find that in spite of all the piety, goodness and devotion to God all through the past thousand years, we were trampled under the feet by foreign aggressors who, though total strangers to goodness and virtue, had a passion for heroic action and organised effort.
Madhav Sadashiv Golwalkar
I am convinced that the decisive factor in dramatic effect will be a smaller orchestra, which does not drown out the human voice as does a large orchestra...The orchestra of the opera of the future is the chamber orchestra which, by painting in the background of the action on the stage with crystalline clearness, can alone realise precisely the intention of the composer with regard to the vocal parts. It is after all an important desideratum that the audience should not only hear the sounds but should also be able to follow the words closely.
Richard Strauss
Equally up to the task was baritone Vytautas Juozapaitis who's tortured characterization of Rigoletto was near flawless, strong and acted with intelligence and emotional depth. Mr. Juozapaitis has a full baritone that displays nice range and clarity, and coupled with the ease with which he commanded the stage, provided just the right measure of appeal that communicated to the audience the conflict and suppressed rage the character, no doubt, felt toward those who used and mocked him. Nicely done!
Vytautas Juozapaitis
I have to say, I think that we are in some kind of final examination as to whether human beings now, with this capability to acquire information and to communicate, whether we're really qualified to take on the responsibility we're designed to be entrusted with. And this is not a matter of an examination of the types of governments, nothing to do with politics, nothing to do with economic systems. It has to do with the individual. Does the individual have the courage to really go along with the truth?
Buckminster Fuller
The art of the theater is action. It is the study of commitment. The word is an act. To SAY the word in such a way as to make it heard and understood by all in the theater is a commitment -- it is the highest art to see a human being out on a stage speaking to a thousand of his or her peers saying, 'These words which I am speaking are the TRUTH -- they are not an approximation of any kind. They are the God's truth, and I support them with my life,' which is what the actor does on stage.
David Mamet