This book is about three Frenchmen who lived and wrote against the grain of these three ages of irresponsibility. They were very different men and would have been surprised to think of themselves as a group, yet they have something rather distinctive in common. All three played an important role in the France of their lifetime but lived at a slightly awkward tangent to their contemporaries. For much of his adult life each was an object of dislike, suspicion, contempt, or hatred for many of his peers and contemporaries; only at the end of their long lives were Léon Blum and Raymond Aron, for quite different reasons, able to relax into the comfort of near-universal admiration, respect, and, in some quarters, adulation. Camus, who had experienced all three by the age of thirty-five, died twelve years later an insecure and much-maligned figure; it would be thirty years before his reputation would recover.
Tony JudtRelated topics
able adulation adult age book comfort common contemporaries contempt different distinctive end grain hatred irresponsibility men later leon lives lifetime quite reputation respect something suspicion tangent thirty three twelve yet quarters yearsRelated quotes
A man should not marry after thirty years of age; should not enter the government service after the age of forty; should not have any more children after the age of fifty; and should not travel after the age of sixty. This is because the proper time for those things has passed. At sunrise the country is bright and fresh, and you dress, wash, and eat your breakfast, but before long it is noon. Then you realize how quickly time passes. I am always surprised when people talk about other people's ages, because what is a lifetime but a small part of much greater period? Why talk about insects when the whole world is before you? How can you count time by years? All that is clear is that time passes, and all the time there is a continual change going on. Some change has taken place ever since I began to write this. This continual change and decay fills me with sadness.
Shi Nai'an
We see that experience plays an indispensable role in the genesis of geometry; but it would be an error thence to conclude that geometry is, even in part, an experimental science. If it were experimental it would be only approximative and provisional. And what rough approximation!
...The object of geometry is the study of a particular 'group'; but the general group concept pre-exists... in our minds. It is imposed on us, not as form of our sense, but as form of our understanding. Only, from among all the possible groups, that must be chosen... will be... the standard to which we shall refer natural phenomena.
Experience guides us in this choice without forcing it upon us; it tells us not which is the truest geometry, but which is the most convenient.
Notice that I have been able to describe the fantastic worlds... imagined without ceasing to employ the language of ordinary geometry.
Henri Poincaré
The Managers of that Trade themselves, and others, testify, that many of these African nations inhabit fertile countries, are industrious farmers, enjoy plenty, and lived quietly, averse to war, before the Europeans debauched them with liquors, and bribing them against one another; and that these inoffensive people are brought into slavery, by stealing them, tempting Kings to sell subjects, which they can have no right to do, and hiring one tribe to war against another, in order to catch prisoners. By such wicked and inhuman ways the English are said to enslave towards one hundred thousand yearly; of which thirty thousand are supposed to die by barbarous treatment in the first year; besides all that are slain in the unnatural wars excited to take them. So much innocent blood have the Managers and Supporters of this inhuman Trade to answer for to the common Lord of all!
Thomas Paine
I was surprised, while preparing this lecture, to notice how, among my friends who had read the book, a division into two groups appeared. Both groups are equally discerning and educated, and as far as I can tell, equal in numbers. One group is eager to say that they don't understand a word of it, and there are artists and historians among them. Those of the other group claim that they understood it all on first reading, without difficulty. Of course I believe them both, without understanding the combination that separates them so sharply. Perhaps distinctive and contrasting features in the comprehension of works of art are responsible. What I say speaks to some, but not to others. Some are ready, and others are not. But when both someday find that they agree in understanding it, that day may be its last as a book alive in the dissension over its intelligibility.
George Kubler
Dreams can be classified in many different ways. We will examine four types. The first concerns dreams that occur as a result of physiological stimulation. [...] The second category involves thoughts that are dormant in the subconscious. Whatever you think about often becomes impressed in your subconscious mind. [...] The third type of dream concerns the predominating thoughts you have when you are awake. [...] The fourth category of dreams involves those that help to work out karma, that is, lessons that are to be experienced in this lifetime. Sometimes, dreams can be used as a medium to play out the karma that one has accumulated. [...] This serves two functions: one, it saves time because the dynamics do not have to be played out in the physical realm and two, the lessons learned through the subtle body penetrate the soul more thoroughly, leaving lasting impressions.
Bhakti Tirtha Swami