The Greeks were the classicists of antiquity, and they are still today the preeminent classicists. What marked all they did, the classic stamp, is a direct simplicity in expressing the significance of actual life. It was there the Greek artists and poets found what they wanted. The unfamiliar and the extraordinary were on the whole repellent to them, and they detested every form of exaggeration. Their desire was to express truthfully what lay at hand, which they saw as beautiful and full of meaning. But that was not the Roman way. When not directly under Greek guidance, the Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduous business, and he had no time for what he would have thought of as a mere decoration of it.
Edith HamiltonRelated topics
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In conclusion, it appears to me that nothing can be more improving to a young naturalist, than a journey in distant countries. It both sharpens, and partly likewise allays that want and craving, which, as Sir J. Herschel remarks, a man experiences although every corporeal sense is fully satisfied. The excitement from the novelty of objects, and the chance of success, stimulate him to increased activity. Moreover as a number of isolated facts soon become uninteresting, the habit of comparison leads to generalization. On the other hand, as the traveller stays but a short space of time in each place, his descriptions must generally consist of mere sketches, instead of detailed observation. Hence arises, as I have found to my cost, a constant tendency to fill up the wide gaps of knowledge, by inaccurate and superficial hypotheses.
Charles Darwin
Neokantianism represents in the last analysis nothing but a certain academic line of thought, which has supplied us with a better knowledge of Kant and a useful literature of educated people. Agnosticism, on the other hand, on account of its diffusion among the people, is an actual symptom of the present condition of certain social classes. The socialists would have good grounds for believing that this symptom is one of the evidences of the decadence of the bourgeoisie. It certainly stands in marked contrast to the heroic devotion to truth shown by the thought of the precursors of modern history, such as Bruno and Spinoza, or to that conventional assertiveness, which was typical of the thinkers of the 18th century, until the classic German philosophy gradually came upon the scene.
Baruch Spinoza
The distinguishing quality of most primitive art is the intense vitality which it possesses, because it has been made by a people in close touch with life, who felt simply and strongly, and whose art was a means of expressing vitally important beliefs, hopes and fears. Negro sculpture is essentially religious and cannot be detached from the tribal gods, priests and ancient rituals. When civilization destroyed these things, it also destroyed their Art. These carvings have a serious and pathetic power – a bigness and monumental simplicity born of the racial patience in bearing life with all its terror and mystery.. ..(But as always, it was the artist who was the first to see in them a new thing – a new plastic conception – an artistic worth – a value as art – their importance as art).
Henry Moore
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer's deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.
Theo van Doesburg
For Greek democracy failed, and the reasons for its failure are full of instruction. The great ruling ideas which the Greeks gave to the world, ideas which England later was to absorb and spread over a quarter of the globe, freedom and self-government, social equality and civic patriotism, these were corrupted by demagogues and flatterers of the people. It was so fatally easy to think that freedom meant doing what you like, that one man was not only as good as another but equally able to fill any office whatsoever, that majorities could do no wrong, that you could make Utopian laws for your own country without regard to what other nations or other empires were doing...Freedom of speech was stifled and public men who refused to advocate pleasures for the public multitude were banished. Politicians rivalled one another in bribing the electorate.
Stanley Baldwin