Sometimes if you go to see a very, very, happy movie, a Hollywood movie, you can walk out of the movie and feel very depressed because it's so false. And other times you see a very depressing movie and it makes you feel good, happy because you've seen something real. You've seen something that talks to you and says that your bad feelings are legitimate. And then you can go further with that and say, "Well, this bad feeling is good, and this good feeling is bad, but is it good to feel bad and is it bad to feel good?" I'm concerned with feelings. And sometimes when I feel good, I'll write something very negative because I have the strength to do it. But when I really, really feel very bad, what I want to do is make myself feel better, so I'll write something happier.
John S. HallRelated topics
bad false good happy real see seen something strength times walk well write movie HollywoodRelated quotes
The power to guess the unseen from the seen, to trace the implication of things, to judge the whole piece by the pattern, the condition of feeling life, in general, so completely that you are well on your way to knowing any particular corner of it - this cluster of gifts may almost be said to constitute experience, and they occur in country and in town, and in the most differing stages of education. If experience consists of impressions, it may be said that impressions are experience, just as (have we not seen it?) they are the very air we breathe. Therefore, if I should certainly say to a novice, "Write from experience, and experience only," I should feel that this was a rather tantalizing monition if I were not careful immediately to add, "Try to be one of the people on whom nothing is lost!"
Henry James
An audience is just a mirror of what's happening on stage, and if what's happening on stage has love in it-real feeling and conviction and strength and purity-then we are truly reflecting them, because it is their own nature that is coming back. Everything is. The music is. For me, the only barriers in music are the barriers in the musician and in the equipment he has to use. If a musician has no barriers within himself, then there are no barriers within his music. His only battle is with the problems of expressing his true nature against the difficulties of the real world-the limits of his amplifiers and his guitar or his piano or whatever, the limits the outer world places upon the natural perfection of the spirit.
John McLauglin
A distinguished agnostic once observed that in these days Christianity was not refuted, it was explained. Doubtless the difference between the two operations was, in his view, a matter rather of form than of substance. That which was once explained needed, he thought, no further refutation. And certainly we are all made happy when a belief, which seems to us obviously absurd, is shown nevertheless to be natural in those who hold it. But we must be careful. True beliefs are effects no less than false. In this respect magic and mathematics are on a level. Both demand scientific explanation ; both are susceptible of it. Manifestly, then, we cannot admit that explanation may be treated as a kind of refutation. /.../ This way lies universal scepticism. Thus would all intellectual values be utterly destroyed.
Arthur Balfour
I know that my early life was at one and the same time so common as to be unremarkable, and so strange as to be the stuff of fiction. I know of course that this is how all human lives are, but that it is only given to a few of us to luxuriate in the bath of self-revelation, self-curiosity, apology, revenge, bafflement, vanity and egoism that goes under the name Autobiography. You have seen me at my washpot scrubbing at the grime of years: to wallow in a washpot may not be the same thing as to be purified and cleansed, but I have come away from this very draining, highly bewildering and passionately intense few months feeling slightly less dirty. Less dirty about the first twenty years of my life, at least. The second twenty, now that is another story.
Stephen Fry
[A rival theory that has to be better than the dominant "90 percent explanation” cannot go wrong very often and still stay in the contest. For the challenger of a 50 percent incumbent, some shortcomings are not that fatal. This comparative situation has to be remembered as argued by James Burnham:]... we must keep in mind an obvious principle of scientific method. To disprove the theory, it is not enough to show that it is not 100% certain,that difficulties confront it, and certain evidence seems to be against it. It must be further shown that it is less certain than alternative theories covering the same subject matter, that there are in its case more difficulties, more negative evidence than in the case of at least one alternative theory. No theory about what actually happens and will happen is ever ‘certain'.
James Burnham