![Some of the [band's] work has a genuine feeling behind it. Some of it is probably just being funny for the sake of being funny. Obviously, there are elements to "Detachable [Penis]" about male identity that are there, but not really overtly there. For the person who wants to find it, it's there. I don't know. I don't think... I like to think I'm not obvious about the humor, and I'm not obvious about the feelings, either. There's a certain degree of subtlety to what I'm doing; even in very obvious things, there's something underneath that's interesting. I think [the band is] guilty of being clever at times, to the detriment of conveying something more important, more real, more honest. I'll cop to that. But I will also say that there's also stuff that does have meaning. (John S. Hall)](https://cdn.quotesdtb.com/img/quotes_images_webp/77/john-s-hall-band-522977.webp)
Some of the [band's] work has a genuine feeling behind it. Some of it is probably just being funny for the sake of being funny. Obviously, there are elements to "Detachable [Penis]" about male identity that are there, but not really overtly there. For the person who wants to find it, it's there. I don't know. I don't think... I like to think I'm not obvious about the humor, and I'm not obvious about the feelings, either. There's a certain degree of subtlety to what I'm doing; even in very obvious things, there's something underneath that's interesting. I think [the band is] guilty of being clever at times, to the detriment of conveying something more important, more real, more honest. I'll cop to that. But I will also say that there's also stuff that does have meaning.
John S. HallRelated topics
behind certain conveying degree detriment find guilty male meaning person real sake something subtlety times work thingsRelated quotes
The male sense of space must differ from that of the female, who has such interesting, active, and significant inner space. The space that interests men is outer. The fly ball high against the sky, the long pass spiraling overhead, the jet fighter like a scarcely visible pinpoint nozzle laying down its vapor trail at 40,000 feet, the gazelle haunch flickering just beyond arrow-reach, the uncountable stars sprinkled on their great black wheel, the horizon, the mountaintop, the quasar - these bring portents with them and awaken a sense of relation with the invisible, with the empty. The ideal male body is taut with lines of potential force, a diagram extending outward; the ideal female body curves around centers of repose.
John Updike
Worthy sons and daughters these. Fit successors to those who christened our banners in the immortal beginning. Worthy sons of those who saved the Union and nationality when civil war wiped out the ambiguity from the Constitution. Ready sons of those who drew the sword for humanity's sake the first time in the world in 1898. The four million defenders on land and sea were worthy of the best traditions of a people never warlike in peace and never pacifist in war. They commanded our pride. They have our gratitude, which must have genuine expression. It's not only a duty -- it's a privilege to see that the sacrifices made shall be requited, and that those still suffering from casualties and visibilities shall be abundantly aided and restored to the highest capabilities of citizenship and its enjoyments.
Warren G. Harding
[A rival theory that has to be better than the dominant "90 percent explanation” cannot go wrong very often and still stay in the contest. For the challenger of a 50 percent incumbent, some shortcomings are not that fatal. This comparative situation has to be remembered as argued by James Burnham:]... we must keep in mind an obvious principle of scientific method. To disprove the theory, it is not enough to show that it is not 100% certain,that difficulties confront it, and certain evidence seems to be against it. It must be further shown that it is less certain than alternative theories covering the same subject matter, that there are in its case more difficulties, more negative evidence than in the case of at least one alternative theory. No theory about what actually happens and will happen is ever ‘certain'.
James Burnham
Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; -example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.
Filippo Tommaso Marinetti
Lots of artists who paint have that experience to one degree or another, this release where their thinking doesn't precede their doing. The space is shortened between thinking and doing. It's a funny thing, what I really hate, yet I have to go through with it, is the preparation. You have to go through it, like somebody preparing for sacred vows, the sensation of you putting paint on, and it's so boring to put paint on and to see yourself putting paint on. You're really preparing for those few hours where some kind of umbilical cord is attached between you and it. You do it and the work is done and this cord seems to slacken, as if you left yourself there. And what a relief to leave yourself somewhere, to get out of it entirely.
Phillip Guston