I hold that the first form of a body is the first corporeal mover. But this is light, which as it multiplies itself and expands without the body of matter moving with it, makes its passage instantaneously through the transparent medium and is not motion but a state of change. But, indeed, when light is expanding itself in different directions it is incorporated with matter, if the body of matter extends with it, and it makes a rarefaction or augmentation of matter; for when light is itself charged with the body of matter, it produces condensation or rarefaction. So when light generates itself in one direction drawing matter with it, it produces local motion; and when light within matter is sent out and what is outside is sent in, it produces qualitative change. From this it is clear that corporeal motion is a multiplicative power of light, and this is a corporeal and natural appetite.
Robert GrossetesteRelated topics
appetite augmentation body change clear condensation different direction form hold light matter moving mover natural outside passage power qualitative sent stateRelated quotes
It was a couple of days before Kate Schechter became aware of any of these things, or indeed of anything at all in the outside world.
She passed the time quietly in a world of her own in which she was surrounded as far as the eye could see with old cabin trunks full of past memories in which she rummaged with great curiosity, and sometimes bewilderment. Or, at least, about a tenth of the cabin trunks were full of vivid, and often painful or uncomfortable memories of her past life; the other nine-tenths were full of penguins, which surprised her. Insofar as she recognised at all that she was dreaming, she realised that she must be exploring her own subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was very clear what the other nine-tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
Douglas Adams
Carolina or Virginia may try to break away. In the effort it may destroy its local government as it has now destroyed it, except by successful revolution no rebellious state can escape the jurisdiction, and it will be reorganized exclusively by the national authority of the United States of America. This is what Gettysburg roars and Vicksburg and Port Royal. This is the thunder of the Kearsarge as she sinks the Alabama, This is the song of Sherman's march to the sea; and Lee's surrender, the fall of Richmond, and the universal crash of the rebellion mutter and murmur their reluctant 'Amen, Amen'. But, at the same moment that the profound sense of nationality and the power of the nation are revealed, the national mind has gained a clear perception of the relation of morals and politics, the strict dependence of civil order and national prosperity upon morality.
George William Curtis
The city is very different from the country, girl. It is a kind of shared consciousness that begins its work on you as soon as you enter it, if not well before, a consciousness that begins to separate you from the country possibly even before you decide to journey toward it. It encircles you with forces much greater than the walls and gates which imitate tinier villages or towns. People who come to it come seeking the future, not realizing all that will finally affect them in it is their own, only more or less aware, involvement with the past. The way we do things here-really, that's all there is to be learned in our precincts. But in the paving of every wide, clear avenue, in the turnings of every dark, overhung alley, in the ornaments on every cornice, in the salt-stained stones of each neighborhood cistern, there are traces of the way things once were done-which is the key to why they are done as they are today.
Samuel R. Delany
There has never been a time, until the last fifty years, when a majority of any population had regular and constant access to drama, and used this access. . . . It seems probable that in societies like Britain and the United States more drama is watched in a week or weekend, by the majority of viewers, than would have been watched in a year or in some cases a lifetime in any previous historical period. It is clearly one of the unique characteristics of advanced industrial societies that drama as an experience is now an intrinsic part of everyday life, at a quantitative level which is so very much greater than any precedent as to seem a fundamental qualitative change. Whatever the social and cultural reasons may finally be, it is clear that watching dramatic simulation of a wide range of experiences is now an essential part of our modern cultural pattern.
Raymond Williams
Once again, I experienced that overwhelming joy in the universe that I had felt in London outside the V and A. But this time, my consciousness of the world seemed larger, more complex. It was the mystic's sensation of oneness, of everything blending into everything else. Everything I looked at reminded me of something else, which also became present to my consciousness, as if I were simultaneously seeing a million worlds and smelling a million scents and hearing a million sounds-- not mixed up, but each separate and clear. I was overwhelmed with a sense of my smallness in the face of this vast, beautiful, objective universe, this universe whose chief miracle is that it exists, as well as myself. It is no dream, but a great garden in which life is trying to obtain a foothold. I experienced a desire to burst into tears of gratitude; then I controlled it, and the feeling subsided into a calm sense of immense, infinite beauty.
Colin Wilson