... what I've tried to allow is for the essay to be a space in which the consciousness which reads poetry or remembers a line of poetry or listens to music or goes for a walk, is also the consciousness that is inflected and threatened and endangered by the political; is also the consciousness that registers and is permeated by the political. That somehow it is not a separate ... consciousness that is hiding behind the facade of the man who remembers a line of poetry or forgets it, but that it is the same consciousness in which these various things are coming in and going out.
Amit ChaudhuriRelated topics
behind coming essay facade hiding line man music space try walk thingsRelated quotes
This, obviously, is a fallacious argument. That same negative evidence can used to "prove" that molemen from beneath the surface of the earth have perpetrated these murders. The fact that the molemen have left no evidence behind proves how good they are at remaining hidden. That no sewer or road building projects have ever cut across their tunnels proves that politicians and engineers and other professionals are in league with the molemen. Just as obviously, anyone who denies the molemen exist is either in league with them, or is a fool who cannot see the end coming.
Michael A. Stackpole
There is a fundamental similarity between the persecution of individuals who engage in consenting homosexual activity in private, or who ingest, inject, or smoke various substances that alter their feelings and thoughts-and the traditional persecution of men for their religion. ... What all of these persecutions have in common is that the victims are harassed by the majority not because they engage in overtly aggressive or destructive acts, ... but because their conduct or appearance offends a group intolerant to and threatened by human differences.
Thomas Szasz
A man of intellect is like an artist who gives a concert without any help from anyone else, playing on a single instrument--a piano, say, which is a little orchestra in itself. Such a man is a little world in himself; and the effect produced by various instruments together, he produces single-handed, in the unity of his own consciousness. Like the piano, he has no place in a symphony; he is a soloist and performs by himself--in soli tude, it may be; or if in the company with other instruments, only as principal; or for setting the tone, as in singing.
Arthur Schopenhauer
Futurism and Cubism are comparable in importance to the invention of perspective, for which they substituted a new concept of space. All subsequent movements were latent in them or brought about by them.. ..the two movements cannot be regarded as in opposition to each other, even though they started from opposite points; I maintain [an idea approved by Appolinaire and later by Matisse that they are two extremes of the same sign, tending to coincide at certain points which only the poetic instinct of the painter can discover: 'poetry' being the content and 'raison d'tre' of art.
Gino Severini
The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.
Herbert Marcuse
