I had a bad PCP [angel dust] experience when I was 14 and I got panic disorder. And of course, I wasn't telling anyone the truth. It's not like you go to your dad or your doctor and say, "Yeah, I smoked PCP and I'm having a bad time.” So I became more or less agoraphobic because I'd have flashbacks. From 14 to 16, I didn't have any friends. I stayed home most of the time. Up till then life was pretty great. The world was big and I felt I could do anything I wanted. Suddenly, I felt like I couldn't do anything. But in the isolation, my imagination really had time to run. I never did any drugs until my late 20s. Unfortunately, being a child of two alcoholics, I started drinking a lot, and that's what eventually got me back into drugs. You often hear that pot leads to harder drugs. But I think alcohol is what leads you to everything, because it takes away the fear. The worst drug experimentation I ever did was because I was drunk and didn't care.
Chris CornellRelated topics
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We played a gig in the Swiss Alps at a snowboarding convention. Red Bull-this energy sports-fuel drink-sponsored the whole thing. It has some ingredient believed to be bull-testicle extract. We went way off our tour route, had to take two planes and missed a night's sleep. We got up there and there's no snow-it's all mud. You couldn't walk. You'd step and then be up to your knee in mud. So you had several thousand disgruntled snowboarders tanked up to the max on bull-testicle extract. Of course, for some reason, these strapping brutes were made to wait out in the mid and the rain before coming into the tent for the show. When we get up to play, I see this forty-foot gap between us and the audience-they still managed to nail us with empty cans of Red Bull. After a few songs, I wasn't really playing my guitar, I was using it to bay cans back into the crowd of disgruntled sports enthusiasts. It felt like we were A Flock of Seagulls opening for Napalm Death.
Beck
[A social worker has shown up to talk about Raffi's adoption during dinner with Toni's parents]
Sr. Ortiz: What's going on here?
Toni: Uh... mamá y papá, Gwynne... viene de la iglesia! ¡Sí, sí! Y viene para hablar... uh... del bautizo de Rafael! Decidimos que sería bueno que lo bautizaramos! (Mom, dad... Gwynne is... from the church! Yeah! And she's here to talk about, uh... Rafael's christening! We've decided to get him baptized!)
Sra. Ortiz: Gracias a Dios!
Sr. Ortiz: How very good of you to come, Sister.
Gwynne: Back at ya, brother! It's a pleasure in this day and age to meet folks who are so supportive of their daughter's decision.
Sra. Ortiz: That is unusual?! This country is even more wicked than I thought!
Gwynne: Yes, it's a shame, but many lesbians' parents tend to disapprove.
Sr. Ortiz: What does her being a ... a homosexual have to do with it?
Gwynne: Exactly, Mr. Ortiz! If only more people felt like you!
Alison Bechdel
This poet is now, most of the time, an elder statesman like Baruch or Smuts, full of complacent wisdom and cast-iron whimsy. But of course there was always a good deal of this in the official rôle that Frost created for himself; one imagines Yeats saying about Frost, as Sarah Bernhardt said about Nijinsky: "I fear, I greatly fear, that I have just seen the greatest actor in the world.”
Sometimes it is this public figure, this official rôle - the Only Genuine Robert Frost in Captivity - that writes the poems, and not the poet himself; and then one gets a self-made man's political editorials, full of cracker-box philosophizing, almanac joke-cracking - of a snake-oil salesman's mysticism; one gets the public figure's relishing consciousness of himself, an astonishing constriction of imagination and sympathy; one gets sentimentality and whimsicality; an arch complacency, a complacent archness; and one gets Homely Wisdom till the cows come home.
Randall Jarrell
Aaron Russo: Do you think America is going deeper and deeper into becoming a police state?
Ron Paul: Yeah, I think we're moving in that direction, because there's not much we can do without permission. The absence of a police state is that people are free, and if you don't commit crimes you can do what you want. But today, you can't open up a business, you can't develop land, you can't go to the bank, you can't go to the doctor without the government knowing what you're doing. They talk about medical privacy, that's gone. Financial privacy, that's gone. The right to own property, that's essentially gone. So you have to get permission from the government for almost everything. And if that is the definition of a police state, that you can't do anything unless the government gives you permission, we're well on our way. This is something that people eventually, I hope, will get sick and tired of, and say enough is enough.
Ron Paul
One of the most terrifying aspects of publishing stories and books is the realization that they are going to be read, and read by strangers. I had never fully realized this before, although I had of course in my imagination dwelt lovingly upon the thought of the millions and millions of people who were going to be uplifted and enriched and delighted by the stories I wrote. It had simply never occurred to me that these the millions and millions of people might be so far from being uplifted that they would sit down and write me letters I was downright scared to open; of the three-hundred-odd letters that I received that summer I can count only thirteen that spoke kindly to me, and they were mostly from friends. Even my mother scolded me: "Dad and I did not care at all for your story in The New Yorker," she wrote sternly; "it does seem, dear, that this gloomy kind of story is what all you young people think about these days. Why don't you write something to cheer people up?"
Shirley Jackson