In my constituency there were a large number of privately rented flats and rooms occupied mostly by low-paid single people or by low-paid or unemployed families. Now those people are being persuaded-I use the word advisedly-to leave those places so that they can be converted into up-market flats or second or city homes for the wealthy. Those tenants are literally forced on to the street and come under the care of the local authority, if the local authority can provide anything. There is a great increase in homelessness, but there is no increase in the number of homes available at cheap rents. Decontrol has forced those people on to the streets and caused homelessness. It is the enemy of good housing and working-class people. We need much more money spent on local authority and social ownership schemes to provide cheap rented houses for the people who need them, not for the yuppies that the Conservative party wants to bring into central London.
 
    
        Jeremy Corbyn 
     
    
     
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        ... there is nothing that the most prominent men in the Liberal party more earnestly desire than that labour representation, direct labour representation, shall be as large as possible... It is sometimes said to me, "Oh! but you are against State intervention in matters of great social reform". At this time of the day it would be absurd for any man who has mastered all the Mining Regulations Acts, the Factories Acts, the great mass of regulation which affects trade; it would be absurd for any man to stand on a platform and say he was entirely against State intervention. I, for my part, have never taken that position... My own belief is that in the matters of hours and of wages for adult male labour the interference would be a bad and mischievous thing... that in such matters, for example, as housing of the poor and so forth, the proper machinery through which to carry out these operations is municipal and not Parliamentary. 
         
 
    John Morley, 1st Viscount Morley of Blackburn 
 
                 
            
        
     
    
    
                                        
                    
    
        They were now as a party engaged in carrying laboriously uphill the last few columns out of the Gladstonian quarry. ... Foremost among the tasks of Liberalism in the near future was the regeneration of rural life and the emancipation of the land of this country from the paralysing grip of an effete and unprofitable system. ... [The reports into rural life] were startling. When they were published they would prove conclusively that there were hundreds of thousands, if not millions, of men, women, and children dependent upon the land in this country and engaged in cultivating it, hardworking men and women, who were living under conditions with regard to wages, to housing, as well as hours of labour-conditions which ought to make this great Empire hang its head in shame that such things could be permitted to happen in any corner of its vast dominions, let alone in this country, the centre and source of all its glory. 
         
 
    David Lloyd George 
 
                 
            
        
     
    
    
                                        
                    
    
        So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen. 
         
 
    John Cage