![Why did the [Roman] Empire come into existence at all, and why, having come into existence, did it perish?... Surely the character of the Roman played as great a part in the rise of the Empire as his character played in the fall?... to me the outstanding and peculiar strength of the Roman character lies in the words pietas and gravitas. These were the foundations of a patriotism which alone could carry the burden of Empire, a patriotism innate, a motive force of incalculable power, yet something at its best so holy that it was never paraded, sought no reward, was taken for granted, and had no single word to express it. (Stanley Baldwin)](https://cdn.quotesdtb.com/img/quotes_images_webp/74/stanley-baldwin-best-burden-269174.webp)
Why did the [Roman] Empire come into existence at all, and why, having come into existence, did it perish?... Surely the character of the Roman played as great a part in the rise of the Empire as his character played in the fall?... to me the outstanding and peculiar strength of the Roman character lies in the words pietas and gravitas. These were the foundations of a patriotism which alone could carry the burden of Empire, a patriotism innate, a motive force of incalculable power, yet something at its best so holy that it was never paraded, sought no reward, was taken for granted, and had no single word to express it.
Stanley BaldwinRelated topics
best burden carry character fall force great having holy patriotism power reward rise seek single something strength take word yet words gravitas liesRelated quotes
It is conceivable that animal life might have the attribute of using the heat of surrounding matter, at its natural temperature, as a source of energy for mechanical effect.... The influence of animal or vegetable life on matter is infinitely beyond the range of any scientific enquiry hitherto entered on. Its power of directing the motions of moving particles, in the demonstrated daily miracle of our human free-will, and in the growth of generation after generation of plants from a single seed, are infinitely different from any possible result of the fortuitous concurrence of atoms.
William Thomson
Always mystify, mislead, and surprise the enemy, if possible; and when you strike and overcome him, never let up in the pursuit so long as your men have strength to follow; for an army routed, if hotly pursued, becomes panic-stricken, and can then be destroyed by half their number. The other rule is, never fight against heavy odds, if by any possible maneuvering you can hurl your own force on only a part, and that the weakest part, of your enemy and crush it. Such tactics will win every time, and a small army may thus destroy a large one in detail, and repeated victory will make it invincible.
Stonewall Jackson
In the Napoleonic Museum in Arenenberg I was rather impressed just how richly clad in the costume of Antiquity the First Empire in fact was - dressed up even comically with its laurels and eagles and togas. Return to Rome wherever you look, though of course not to the Holy Roman Empire - to Caesar's Rome. But the French Revolution itself had fallen back on more or less genuine or imaginary classical models: Brutus and Tiberius Gracchus and Gaius Gracchus, the Gracchi, consuls and Roman virtues - even these revolutionaries couldn't resolve to start from scratch with something really new.
Ida Friederike Görres
What was the point in continuing to live with this burden of misery? Why carry on with this continuous struggle? I could feel that a deep longing for annihilation, for nonexistence, was now becoming much stronger than the instinctive desire to continue to live. "I cannot live with myself any longer.” This was the thought that kept repeating itself in my mind. Then suddenly I became aware of what a peculiar thought it was. "Am I one or two? If I cannot live with myself, there must be two of me: the ‘I' and the ‘self' that ‘I' cannot live with.” "Maybe,” I thought, "only one of them is real.”.
Eckhart Tolle
An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
When a good sculptor models a torso, he not only represents the muscles, but the life which animates them - more than the life, the force that fashioned them and communicated to them, it may be, grace or strength, or amorous charm, or indomitable will.
In the works of Michael Angelo, the creative force seems to rumble; in those of Luca della Robbia it smiles divinely. So each sculptor, following his temperament, lends to nature a soul either terrible or gentle.
Auguste Rodin