She has never harmed us, nor would she should we have fallen into her hands. It is only the men of her kind who war upon us, and I have ever thought that their attitude toward us is but the reflection of ours toward them. They live at peace with all their fellows, except when duty calls upon them to make war, while we are at peace with none; forever warring among our own kind as well as upon the red men, and even in our own communities the individuals fight amongst themselves. Oh, it is one continual, awful period of bloodshed from the time we break the shell until we gladly embrace the bosom of the river of mystery, the dark and ancient Iss which carries us to an unknown, but at least no more frightful and terrible existence! Fortunate indeed is he who meets his end in an early death. Say what you please to Tars Tarkas, he can mete out no worse fate to me than a continuation of the horrible existence we are forced to lead in this life.
Edgar Rice BurroughsRelated topics
bloodshed break continuation dark death duty early end fallen fate fight forever men kind lead live mete none nor peace red reflection river should shell thought unknown war warring well while worse hands meetsRelated quotes
The city is very different from the country, girl. It is a kind of shared consciousness that begins its work on you as soon as you enter it, if not well before, a consciousness that begins to separate you from the country possibly even before you decide to journey toward it. It encircles you with forces much greater than the walls and gates which imitate tinier villages or towns. People who come to it come seeking the future, not realizing all that will finally affect them in it is their own, only more or less aware, involvement with the past. The way we do things here-really, that's all there is to be learned in our precincts. But in the paving of every wide, clear avenue, in the turnings of every dark, overhung alley, in the ornaments on every cornice, in the salt-stained stones of each neighborhood cistern, there are traces of the way things once were done-which is the key to why they are done as they are today.
Samuel R. Delany
But I have seen the unknown dead, those little men of the Republic. It was they who woke me up. If a stranger, an enemy, becomes a thing like that when he dies, if one stops short and is afraid to walk over him, it means that even beaten our enemy is someone, that after having shed his blood, one must placate it, give this blood a voice, justify the man who shed it. Looking at certain dead is humiliating. One has the impression that the same fate that threw these bodies to the ground holds us nailed to the spot to see them, to fill our eyes with the sight. It's not fear, not our usual cowardice. One feels humiliated because one understands–touching it with one's eyes–that we might be in their place ourselves: there would be no difference, and if we live we owe it to this dirtied corpse. That is why every war is a civil war; every fallen man resembles one who remains and calls him to account.
Cesare Pavese
An atheist, like a Christian, holds that we can know whether or not there is a God. The Christian holds that we can know there is a God; the atheist, that we can know there is not. The Agnostic suspends judgment, saying that there are not sufficient grounds either for affirmation or for denial. At the same time, an Agnostic may hold that the existence of God, though not impossible, is very improbable; he may even hold it so improbable that it is not worth considering in practice. In that case, he is not far removed from atheism. His attitude may be that which a careful philosopher would have towards the gods of ancient Greece. If I were asked to prove that Zeus and Poseidon and Hera and the rest of the Olympians do not exist, I should be at a loss to find conclusive arguments. An Agnostic may think the Christian God as improbable as the Olympians; in that case, he is, for practical purposes, at one with the atheists.
Bertrand Russell
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind blows soft through the springing grass,
And the river floats like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals-
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting-
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,-
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea that upward to Heaven he flings-
I know why the caged bird sings!
Paul Laurence Dunbar
I am sure I do not know why the beauty of Monte Carlo should not satisfy more than it does. The bluest of all seas is nowhere bluer than when you see it between the marble balustrades of the long white terrace before the casino, palms are nowhere greener than in that high garden which the mountain screen from every unkind breath, no colours could be more rich and various than those of the red and purple Alps that tower up behind the town, on whose summit such violent thunderstorms gather and break. But for me, at least, there was not at all the pleasure I had anticipated in this dazzling white and blue, these feathery palms and ragged Alps. ...I had a continual restless feeling that there was nothing at all real about Monte Carlo; that the sea was too blue to be wet, the casino too white to be anything but pasteboard, and that from their very greenness the palms must be cotton. ... in atmosphere and spirit the entire kingdom of Monaco is an extension of the casino.
Willa Cather