The point about digitization, just to explain what I mean by that, is the way that information is no longer a physical commodity. It doesn't have a mass like it used to. So it used to be that if you wanted to leak a bunch of documents, you physically had to carry away these huge boxes of documents and then you had to physically photocopy them somehow. And they had this physical mass, and it was through that mass that they could be controlled by people in power. When information is digitized, it loses that mass for the most part. It becomes almost ephemeral, it's like an idea; it's like a thought. And it spreads and it can be shared almost instantaneously. So you can take that, and then you combine it with the internet, which is this web in which everybody is talking to each other and sharing information. And you've got the makings of what I think is a digital revolution, which nobody quite knows how to handle it, what to do with it.
Heather BrookeRelated topics
almost carry control digital ephemeral everybody handle idea longer mass mean nobody point power quite revolution take talking thought way web internetRelated quotes
Something mysterious happened when Barack Obama entered the Oval Office in 2009. Something vanished from that room, and no one could quite explain why. It was a bust of Winston Churchill – the great British war time leader. It was a fine goggle-eyed object, done by the brilliant sculptor Jacob Epstein, and it had sat there for almost ten years. But on day one of the Obama administration it was returned, without ceremony, to the British embassy in Washington. No one was sure whether the President had himself been involved in the decision. Some said it was a snub to Britain. Some said it was a symbol of the part-Kenyan President's ancestral dislike of the British empire – of which Churchill had been such a fervent defender. Some said that perhaps Churchill was seen as less important than he once was. Perhaps his ideas were old-fashioned and out of date. Well, if that's why Churchill was banished from the Oval Office, they could not have been more wrong.
Boris Johnson
The long blue days, for his head, for his side, and the little paths for his feet, and all the brightness to touch and gather. Through the grass the little mosspaths, bony with old roots, and the trees sticking up, and the flowers sticking up, and the fruit hanging down, and the white exhausted butterflies, and the birds never the same darting all day long into hiding. And all the sounds, meaning nothing. Then at night rest in the quiet house, there are no roads, no streets any more, you lie down by a window opening on refuge, the little sounds come that demand nothing, ordain nothing, explain nothing, propound nothing, and the short necessary night is soon ended, and the sky blue again all over the secret places where nobody ever comes, the secret places never the same, but always simple and indifferent, always mere places, sites of a stirring beyond coming and going, of a being so light and free that it is as the being of nothing.
Samuel Beckett
The issue of press freedom is a constant concern in my interactions with the Chinese government. It's an issue that I've raised with the President here in Burma. I'm pretty blunt and pretty frank about the fact that societies that repress journalists ultimately oppress people as well, and that if you want a society that is free and vibrant and successful, part of that formula is the free flow of information, of ideas, and that requires a free press. [...] And we believe that when governments censor or control information, that ultimately that undermines not only the society, but it leads to eventual encroachments on individual rights as well. [...] I brought up a basic principle that I stated earlier, which is that a free press is a foundation for any democracy. We rely on journalists to explain and describe the actions of our government. If the government controls the journalists, then it's very difficult for citizens to hold that government accountable.
Barack Obama
When I look at a work of Art I ask myself: does it inspire me, does it touch and move me, do I learn something from it, does it startle or amaze me - do I get excited, upset? That is the test any artwork has to pass: can it create an emotional impact on a human being even when he has no education or any information about art? I've always had a problem with art that you can only understand if you have a degree in art history, and I have a problem with theories. Most of them are bullshit anyway. Most critics and theorists have little respect for artists, and I think the importance of theory in art is totally overrated. Real art is self-evident. Real art is intense, enchanting, exciting and unsettling; it has a quality and magic that you cannot explain. Art is not logic, and if you want to experience it, your mind and rational thinking will be of little help. Art is something spiritual that you can only experience with your senses, your heart, your soul.
Gottfried Helnwein
The big artist does not sit down monkey like & copy a coal scuttle or an ugly old woman like some Dutch painters have done nor a dungpile, but he keeps a sharp eye on Nature & steals her tools. He learns what she does with light the big tool & then colour then form and appropriates them to his own use. Then he's got a canoe of his own smaller than Nature's but big enough for every purpose except to paint the midday sun which is not beautiful at all. It is plenty strong enough though to make midday sunlight or the setting sun if you know how to handle it. With this canoe he can sail parallel to Nature's sailing. He will soon be sailing only where he wants to selecting nice little coves & shady shores or storms to his own liking, but if ever he thinks he can sail another fashion from Nature or make a better shaped boat he'll capsize or stick in the mud & nobody will buy his pictures or sail with him in his old tub.
Thomas Eakins