It can be considered by many to be foolhardy, especially when you're messing with what's considered a sacred text. But it's also an irresistible challenge, isn't it? It evokes so many different wild and outrageous and beautiful images that anyone who loves both novels and films can't help but imagine what it would look like on the big screen. In this case I'm glad they took the challenge on. I think Marquez is glad too. Apparently he's seen it and he's responded favorably to it, he likes it. The trick is, as you aptly point out, is how to do it but how to do it well. Because it's not an easy translation to make, and certainly nearly impossible when you're talking about a great novel, which this is. The best you can hope for really is to capture the essence of the book, and I think the film has done that, which is good news.
Benjamin BrattRelated topics
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We must reach out to our people. We must alert them. We must educate them. We must encourage them. We must inspire them. And here's a beautiful, wonderful thing: when you reach out to other people to encourage them and inspire them, you yourself will be encouraged and inspired. When you find out how many other people there are who share our concerns, our feelings, our values, our sense of responsibility, you cannot help but be encouraged. Even the hatred that you encounter from some people -- especially from people in the controlled media -- will be encouraging. For you will understand that they would not hate us so much if they did not fear us. And the reason that they fear us is that deep inside them they know that what we say is true. So let's get out there -- all of us -- and start looking for encouragement!
William Luther Pierce
I gave up on this stuff. I gave up on my species and ... I gave up on my countrymen. Because I think we squandered great gifts. I think humans were given great great gifts: walking upright, binocular vision, opposable thumb, large brain ... We grew. We had great gifts, and we gave it all up for both money and God ... We gave it all up to superstition, primitive superstition, primitive shit ... Invisible man in the sky, looking down, keeping track of what we do, make sure we don't do the wrong thing, if we do, he puts us in hell, where we burn forever. That kind of shit is very limiting for this brain we have. So we keep ourselves limited. And then we want a toy and a gizmo and gold and we want shiny things, and we want something to plug in that will make big big big things for us... And all that shit is nothing! It's nothing.
George Carlin
Europe is not really even a geographic entity; it is separated from Asia only at one point, the Bosphorus, by a small stretch of water. North of that there is continuity over the russians steppes, a complete terrestrial flow. I suggest that is also true of culture, and indeed of social organization. Indeed Europe has never been purely isolated, purely Christian. Instead of Christian Europe, one has to see the continent as penetrated by the three world religions that originated in the Near East and which indeed had a common mythology or sacred text; in order of arrival these were Judaism, Christianity and Islam. (...) All have equal entitlements to be present, and in this general ('objective') sense none can be considered only as the Other; they are part of Europe, part of our heritage.
Jack Goody
The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.
Peter Greenaway
I, too, have made a wee-little book from the same materials, which I call the Philosophy of Jesus; it is a paradigma of his doctrines, made by cutting the texts out of the book, and arranging them on the pages of a blank book, in a certain order of time or subject. A more beautiful or precious morsel of ethics I have never seen; it is a document in proof that I am a real Christian, that is to say, a disciple of the doctrines of Jesus, very different from the Platonists, who call me infidel and themselves Christians and preachers of the gospel, while they draw all their characteristic dogmas from what its author never said nor saw. They have compounded from the heathen mysteries a system beyond the comprehension of man, of which the great reformer of the vicious ethics and deism of the Jews, were he to return on earth, would not recognize one feature.
Thomas Jefferson