‘Architecture' may at first appear to be a more fixed and finite term. It has a threedimensional, tangible, useable form. But questions remain about what can be considered architecture and what cannot, and by this I mean that we usually understand architecture to incorporate aesthetic as well as functional consideration into its structure. Anything that does not fall into this category can be described as ‘just a building'. This may seem too simple. Can architecture be determined solely by the use of refined architectural style – high or polite architecture instead of vernacular?
Dana ArnoldRelated topics
aesthetic anything appear architecture building category fall form functional high mean remain simple tangible use vernacular well questionsRelated quotes
Jacob Bekenstein found... in 1971 that every black hole must have an entropy proportional to the area of its horizon... Stephen Hawking then refined this by showing that the constant of proportionality must be... exactly one quarter. ...entropy is supposed to correspond to a measure of information ...Loop quantum gravity... [gives] a detailed description of the microscopic structure of a black hole. ...a horizon can have, for each quantized unit of area, a finite number of states. Counting them, we get exactly Bekenstein's result...
Lee Smolin
Thus finally we must abandon even the title. It is not the proletariat that is being formed into a class: it is a variety of persons some of whom are separated from the system of production. Processes of forming workers into a class do not take place in a vacuum; rather, they are inextricably tied to the totality of processes through which collectivities appear in struggle at particular moments of history. And the outcomes of these processes, while not arbitrary, are not determined uniquely by the structure of social relations. More than one outcome lies within the limits set by those relations.
Adam Przeworski
I thank you most sincerely for your polite notice of me, in the elegant Lines you enclosed; and however undeserving I may be of such encomium and panegyrick, the style and manner exhibit a striking proof of your great poetical Talents. In honour of which, and as a tribute justly due to you, I would have published the Poem, had I not been apprehensive, that, while I only meant to give the World this new instance of your genius, I might have incurred the imputation of Vanity. This and nothing else, determined me not to give it place in the public Prints.
George Washington
He [the artist in general] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.
John Constable
It is clear, then, that the idea of a fixed method, or of a fixed theory or rationality, rests on too naive a view of man and his social surroundings. To those who look at the rich material provided by history, and who are not intent on impoverishing it in order to please their lower instincts, their craving for intellectual security in the form of clarity, precision, "objectivity", "truth", it will become clear that there is only one principle that can be defended under all circumstances and in all stages of human development. It is the principle: anything goes.
Paul Karl Feyerabend