Over this landscape, Göran Therborn's Between Sex and Power rises up like some majestic volcano. Throwing up a billowing column of ideas and arguments, while a lava of evidence flows down its slopes, this is a great work of historical intellect and imagination, the effect of a rare combination of gifts. Trained as a sociologist, Therborn is a highly conceptual thinker, allying the formal rigour of his discipline at its best, with command of a vast range of empirical data. The result is a powerful theoretical structure, supported by a fascinating body of evidence. But it is also a set of macro-narratives that compose perhaps the first true example of a work of global history we possess.
Perry AndersonRelated topics
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There have indeed been civilizations upon your planet that understood as well as you, and without your kind of technology, the workings of the planets, the positioning of the stars -- people who even foresaw "later" global changes. They used a mental physics. There were men before you who brought back data quite as "scientific" and pertinent. There were those who understood the "origin" of your solar system far better than you. Some of these civilizations did not need spaceships. Instead, highly trained men combining the abilities of dream-art scientists and mental physicists cooperated at journeys not only through time but through space.
Robert Butts
Egoism and altruism are ideas we have about human nature. Historically, one has tended to arise in response to the other. In the ancient world, for example, it is generally in the times and places that one sees the emergence of money and markets that one also sees the rise of world religions-Buddhism, Christianity, and Islam. If one sets aside a space and says, "Here you shall think only about acquiring material things for yourself," then it is hardly surprising that before long someone else will set aside a countervailing space and declare, in effect: "Yes, but here we must contemplate the fact that the self, and material things, are ultimately unimportant."
David Graeber
Sex is not part of a relationship, but is, to the contrary, a solitary experience as well as being non-creative and a gross waste of time. The female can easily - far more easily than she may think - condition her sex drive away, leaving her completely cool and cerebral and free to pursue truly worthy relationships and activities; but the male, who seems to dig women sexually and who seeks constantly to arouse them, stimulates the highly-sexed female to frenzies of lust, throwing her into a sex bag from which few women ever escape. The lecherous male excites the lustful female; he has to - when the female transcends her body, rises above animalism, the male, whose ego consists of his cock, will disappear.
Valerie Solanas
When scientists take part in activity they transform themselves from scientists into acting beings, that is, they become elements, data, facts; as soon as they reflect on their activity, however, they are re-transformed into scientists. The trained specialist qua scientist looks upon himself as a chain of judgments and inferences; qua member of society, he regard himself as a mere object. The same holds for everyone. The individual is divided into innumerable functions, the interconnection of which are unknown. In society a man is pater familias under one aspect, business man under another, thinker under a third; to be more precise, he is not a human being at all, but all these aspects and many more in an inevitable succession.
Max Horkheimer
Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide.
John Cage