What I have felt at McLaren is good professionalism, a team that is very determined and focused on the championship. There is a new atmosphere within the team, and I saw that when I went to the factory and met all the people. They are so excited. They really think that after a few years without success, this is the year to come back. No-one has doubts. That was a complete surprise to me, yet from my point of view, it was great to see all that optimism, and I feel more ambitious now - a completely new man. Sometimes after a tough season and when the winter arrives, you want to test as late as possible, to be on your holidays as much as you can. But now it's the opposite. I want to be in the car. I feel like when I arrived in Formula One six years ago. I just want to drive.
Fernando AlonsoRelated topics
atmosphere championship drive felt few went good great late man met now point possible professionalism saw season see six success tough view winter year yet yearsRelated quotes
My work is more varied than at any other point in my life. I am still carrying out research in pure mathematics. And I am working on an idea that I had several years ago on negative dimensions. ... Negative dimensions are a way of measuring how empty something is. In mathematics, only one set is called empty. It contains nothing whatsoever. But I argued that some sets are emptier than others in a certain useful way. It is an idea that almost everyone greets with great suspicion, thinking I've gone soft in the brain in my old age. Then I explain it and people realise it is obvious. Now I'm developing the idea fully with a colleague. I have high hopes that once we write it down properly and give a few lectures about it at suitable places that negative dimensions will become standard in mathematics.
Benoît Mandelbrot
On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.
Filippo Tommaso Marinetti
This connection, at once semantic and conceptual, between unorthodoxy and sodomy, was firmly established during the late Middle Ages, and has never been severed. It is as strong today as it was six hundred years ago. To be stigmatized as a heretic or bugger in the fourteenth century was to cast out of society. Since the dominant ideology was theological, religious deviance was considered so grave an offense as to render the individual a nonperson. Whatever redeeming qualities he might have had counted for naught. The sin of heresy eclipsed all contradictory, personal characteristics, just as the teachings of God and the Church eclipsed all contradictory empirical observations. The disease called "mental illness”-and its subspecies "homosexuality”-plays the same role today.
Thomas Szasz
Personally, I do not need a movement. What was given to me, I take for granted. Of all movements, I like Cubism most. It had that wonderful unsure atmosphere of reflection - a poetic frame where something could be possible, where an artist could practise [sic] his intuition. It didn't want to get rid of what went before. Instead it added something to it. The parts that I can appreciate in other [art] movements came out of Cubism. Cubism became a movement, it didn't set out to be one. It has force in it, but it was no 'force-movement.' And then there is that one-man movement, Marcel Duchamp - for me a truly modern movement because it implies that each artist can do what he thinks he ought to - a movement for each person and open for everybody.
Willem de Kooning
Centuries ago, when I first stood on that little boulevard stage in Paris - when I saw the happy faces, when I heard applause - I felt as if my body and soul had found their destiny; I felt as if every promise in my birth and childhood had begun its fulfillment at last.
Oh, there were other actors, worse and better; other singers; other clowns; there have been a million since and a million will come after this moment. But each of us shines with his own inimitable power; each of us comes alive in his own unique and dazzling moment; each of us has his chance to vanquish the others forever in the eye of the beholder, and that is the only kind of accomplishment I can really understand: the kind of accomplishment in which the self-this self, if you will - is utterly whole and triumphant.
Anne Rice