SHELLEY JACKSON: You began as a writer, moved to performance art, then architecture. I'd like to follow the traces of writing through your career, and see whether your late work could be rethought as a radically materialist practice of writing. What made you want to write? VITO ACCONCI: I wanted to be involved with the making of some kind of parallel world. I thought, there's no reason to go to different parts of our world, because you can write them. You can stay home, stay in a little room, and imagine all these worlds. And I wanted to do that. Why did I want to do that, I'm not sure if I can tell.
Vito AcconciRelated topics
architecture art begin different follow home kind late making materialist parallel practice reason room see stay sure tell thought work write rethink Jackson Shelley partsRelated quotes
The idea was to have the accident and whatever explosion and fire was involved occur someplace isolated enough that no one else would see it, so that there would be as little an aspect of performance to the thing as I could manage and no temptation to spend my last few seconds trying to imagine what impressions the sight and sound of the impact might make on someone watching. I was partly concerned that it might be spectacular and dramatic and might look as if the driver was trying to go out in as dramatic a way as possible. This is the sort of shit we waste our lives thinking about.
David Foster Wallace
I now began for the first time to envy those young cubs at the university who had fine scholars to tell them what was what; professors who had devoted their lives to mastering and focusing ideas in every branch of learning; who were eager to distribute the treasures they had gathered before they were overtaken by the night. But now I pity undergraduates, when I see what frivolous lives many of them lead in the midst of precious fleeting opportunity. After all, a man's Life must be nailed to a cross either of Thought or Action. Without work there is no play.
Winston Churchill
Anyone who has ever studied the history of American diplomacy, especially military diplomacy, knows that you might start in a war with certain things on your mind as a purpose of what you are doing, but in the end, you found yourself fighting for entirely different things that you had never thought of before ... In other words, war has a momentum of its own and it carries you away from all thoughtful intentions when you get into it. Today, if we went into Iraq, like the president would like us to do, you know where you begin. You never know where you are going to end.
George F. Kennan
Ridding Iraq of weapons of mass destruction. That was the whole idea, right? That‘s why we went. I am reluctant to let that fact disappear down the memory hole, because if - as the war ends, or at least starts to end - if, at this time, the history of the war is written as us going there to topple the regime of a bad man when that frankly isn‘t why were told that we were going there - Aren‘t we still at risk of making this horrific mistake again? And, aren‘t we letting the people who foisted the WMD idea on us, not many years ago, aren‘t we sort of letting them get away with it?
Rachel Maddow
It is the political task of the social scientist - as of any liberal educator - continually to translate personal troubles into public issues, and public issues into the terms of their human meaning for a variety of individuals. It is his task to display in his work - and, as an educator, in his life as well - this kind of sociological imagination. And it is his purpose to cultivate such habits of mind among the men and women who are publicly exposed to him. To secure these ends is to secure reason and individuality, and to make these the predominant values of a democratic society.
C. Wright Mills