Georges Seurat quotes - page 2
Georges Seurat was a French post-Impressionist painter, recognized as the pioneer of the pointillism technique. His meticulous approach to color and composition distinguished his work from his contemporaries. He remains celebrated for masterpieces such as "A Sunday Afternoon on the Island of La Grande Jatte." Here are 32 of his quotes:
![Terrible news to report: Seurat died after a very brief illness. I heard the cruel news only this morning. He had been in bed for three days with a disturbance of the throat. Improperly treated, the illness developed with ruinous speed. It is my impression that the malady was the very one de Bellio told me about some time ago: diphtheria. The funeral takes place tomorrow. You can conceive the grief of all those who followed him or were interested in his artistic researches. It is a great loss for art.. .There is a splendid exhibition of that unfortunate Seurat [at the exhibition of the Independants, March 1891]; some marines, as delicate as ever, somewhat white and weak in coloration, but very artistic, and a large canvas, a 'Circus' which is excellently composed; a clown cut on the foreground dissatisfies us, but the work as a whole has the stamp of an original artist, it is something! (Georges Seurat)](https://cdn.quotesdtb.com/img/quotes_images_webp/27/georges-seurat-art-artist-1014727.webp)
As in summer the grass grew high on the bank [in the Seine] and prevented Seurat from seeing the boat which he had put in the very forefront - and he complained of this mischance - I helped him by cutting the grass; for I was almost certain that he was going to sacrifice the boat. Although he was not the slave of nature, he was respectful of it, for he was not imaginative. His concern centered most of all on tints, tones and their interactions.
Georges Seurat
I had been in Paris for three years, I had been to all the museums, to Durand-Ruel's gallery and to all the last exhibitions of the old guard impressionists, when Seurat's art was revealed to me [in Paris, 1884] by [his large painting] 'The Bathers (Une Baignade) (Asnieres)', which I saw in the canteen of the Salon des Artistes Independants. Although I did not commit myself in writing, I then completely realized the importance of this painting; the masterpieces which were the logical consequences of it followed without bringing me again the spice of surprise. I think it was at the famous 'Eight Exhibition of Paintings' in the rue Laffitte [in Paris] that I first saw and became acquainted with Seurat and the painters he influenced.
Georges Seurat
Standing on his ladder, he patiently covered his canvas with those tiny multicolored strokes, which give it, from a distance, that intense life and luminosity which are the secrets of his style. At his task, Seurat always concentrated on a single section of the canvas, having previously determined each stroke and color to be applied. Thus he was able to paint steadily without having to step back from the canvas in order to judge the effect obtained.. .Nothing was left to change, to some happily inspired brush stroke.
Georges Seurat
But as this exhibition emphasizes Seurat first formulated his ideas about color and atmosphere on paper, in drawing, working in black and white. Applying his beloved black conté crayon to the specially textured Michallet paper that he almost always used, he created an impressive tonal range of velvety blacks, gossamer veils, crazy all-over scribbles, porous grids, methodical cross hatchings and uncrossed hatchings.
Georges Seurat
Seurat read Delacroix's journals and made notes on his use of colour mixing in his paintings. Delacroix's puzzlement over why blobs of blue and yellow failed to produce green could have prepared Seurat to see in his French translation of Rood's Modern Chromatics an answer to the problem. He [Seurat] mentions in his letter to Fénéon that Ogden Rood's book had been brought to his attention in 1881 (the year it was published in France).. .w:Ogden Rood's chief lesson was to make clear the distinction between coloured lights and coloured pigments.. .However, as [w:Herbert, Robert L.|Herbert]] points out, in 1881 and 1882 Seurat's oil paintings were still in the Barbizon tradition and it was not until 1883 that his palette lightened and not until he started 'Grande Jatte|A Sunday Afternoon on the Island of La Grande Jatte|Grande Jatte' in 1884 that he started to use separate blobs of complementary colour in a clear, conscious manner..
Georges Seurat
Georges Seurat
Occupation: French Artist
Born: December 2, 1859
Died: March 29, 1891
Quotes count: 32
Wikipedia: Georges Seurat
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