Piet Mondrian quotes - page 5
My new installment [Mondrian moved to a new studio in Paris, where he applied the principles of Neo-Plasticism into the interior of his studio ] is about decoration, occasioned by my studio here, where I've set up a sort of display. I couldn't work directly on the walls, so I had to make do with pieces of painted cardboard. But in any case, I am now convinced that in this way it is possible to realize Neo-Plasticism in the interior. Of course I had to paint the furniture as well. It was worth the effort, as it has a favourable influence on my work.
Piet Mondrian
..the highly abstract cubism of Mondrian - a Dutchman - (it is well-known that cubism has made its entrance into the [Stedelijk Museum of Amsterdam...) though a product of cubism, Mondrian in no way imitates this style. He seems above all to have undergone the influence of Picasso, but his personality has been remained intact. His trees and his female portrait display a sensitive cerebral quality. This kind of cubism clearly follows a different path from that of Braque and Picasso, artists whose 'recherche de matière' [research of the material as matter, what Mondrian deliberately ignores]] is presently arousing such interest.
Piet Mondrian
Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned from The Netherlands to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
Piet Mondrian
It is the greatest injustice done to Piet Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.
Piet Mondrian
My entrance into the field of abstract art came about as the result of a visit to the studio of Piet Mondrian in Paris in 1930. I was particularly impressed by some rectangles of color he had tacked on his wall in a pattern after his nature. I told him I would like to make them oscillate he objected. I went home and tried to paint abstractly - but in two weeks I was back again among plastic materials. I think that at that time and practically ever since, the underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.
Piet Mondrian
Well, Mondrian is absolute, and is pure, and those are real aspirations of our [American Abstract Expressionism art]. When I say 'pure', I don't mean 'clean' . I don't think Mondrian himself did; I knew him when he was here [New York] during the war. He went to an exhibition by the Surrealist, Tanguy, and was asked what he thought, and he said he would like Tanguy's pictures better if they were dirtier, that for him they were to clean.. .I think he meant that when they were to 'clean', they were essentially lifeless, statuesque, unrevised. As for me, I must say, Mondrian's painting is intensely rhythmic, warm, passionate - restricted as the means ostensibly seem to me.
Piet Mondrian
But already in his early works, as in the still-life of 1893.. ..there is a tendency towards the static and well-balanced arrangement. He has a preference for painting in atmospheric conditions which tend to efface the individual forms and emphasize the general outline: Mondrian: 'I often sketched by moonlight - cows resting or standing immovable in flat Dutch meadows, or houses with dead, blank windows. I never painted these things romantically'.
Piet Mondrian