Michael Cunningham quotes - page 2

Michael Cunningham is an American novelist and screenwriter, acclaimed for his lyrical prose and exploration of complex characters. His novel "The Hours" received the Pulitzer Prize for Fiction and was later adapted into an award-winning film. He continues to influence contemporary literature with his subtle, emotionally resonant storytelling. Here are 47 of his quotes:

I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.

Michael Cunningham

You cannot find peace by avoiding life, Leonard.

Michael Cunningham

What does it mean to regret when you have no choice? It's what you can bear. And there it is... It was death. I chose life.

Michael Cunningham

These days, Clarissa believes, you measure people first by their kindness and their capacity for devotion. You get tired, sometimes, of wit and intellect; everybody's little display of genius.

Michael Cunningham

Youth is the only sexy tragedy. It's James Dean jumping into his Porsche Spyder, it's Marilyn heading off to bed.

Michael Cunningham

A celestial light appeared to Barrett Meeks in the sky over Central Park, four days after Barrett had been mauled, once again, by love. It was by no means his first romantic dropkick, but it was the first to have been conveyed by way of a five-line text, the fifth line of which was a crushingly corporate wish for good luck in the future, followed by three lowercase xxx's.

Michael Cunningham

As writers we must, from our very opening sentence, speak with authority to our readers.

Michael Cunningham

I love movies, I love television, I love narratives of all kinds.

Michael Cunningham

I suspect any serious reader has a first great book, just the way anybody has a first kiss.

Michael Cunningham

The only difference was one of them was trying to make a perfect cake and one of them was trying to write a great book. But if we remove that from the equation, it's the same impulse and they are equally entitled to their ecstasies and their despair.

Michael Cunningham

Language in fiction is made up of equal parts meaning and music. The sentences should have rhythm and cadence, they should engage and delight the inner ear.

Michael Cunningham

I have no useful theories about love and marriage.

Michael Cunningham

I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.

Michael Cunningham

Virginia Woolf's great novel, 'Mrs. Dalloway,' is the first great book I ever read. I read it almost by accident when I was in high school, when I was 15 years old.

Michael Cunningham

Virginia Woolf came along in the early part of the century and essentially said through her writing, yes, big books can be written about the traditional big subjects. There is war. There is the search for God. These are all very important things.

Michael Cunningham

I know, speaking for myself, no matter what I'm able to do, no matter what book comes out and ends up on paper, I always had something bigger and grander in my head.

Michael Cunningham

You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book.

Michael Cunningham

I just don't feel much interested in the lifestyles of the rich and famous.

Michael Cunningham

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.

Michael Cunningham