Peter Greenaway quotes - page 10
A woman materialises behind Prospero -- leaning lightly on the back of his chair -- she is alternately a Titianesque nude and then the Vesalius figure -- flayed ... she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.
Peter Greenaway
As author in control of the plot I can choose and dictate the fall-out of events from any number of infinite possibilities -- which is a very volatile state of affairs, suggesting the ephemerality of fictional narrative. I can choose to have seven characters and kill six of them off in the first five minutes. I can have seventy characters and squash them under a fallen rock, make them copulate with beasts, sit them on the moon or turn their hair white. This casual condition of authorship is irresponsible.
Peter Greenaway
In the game of Dawn Card-Castles, fifty-two playing cards are stacked up into a castle in a draught-free space: the player can determine the dreams of the next night if he awakes before the castle collapses. Those players who wish to dream of Romance build their castle with the seven of hearts.
Peter Greenaway
Now, at this very minute, another thing is happening which we cannot hear because most paintings do not have a sound-track. Peter is inventing the word "simony" to explain ecclesiastical purchase-power, for which, since his Church later exercised it so expertly, Simon Magus ought to be revered as a patron not a rogue.
Peter Greenaway