José Ortega y Gasset quotes - page 2
[L]ife, individual or collective, personal or historic, is the one entity in the universe whose substance is compact of danger, of adventure. It is, in the strict sense of the word, drama. ... [T]he primary, radical meaning of life appears when it is employed in the sense not of biology, but of biography. For the very strong reason that the whole of biology is quite definitely only a chapter in certain biographies, it is what biologists do in the portion of their lives open to biography.
José Ortega y Gasset
The history of the Roman Empire is also the history of the uprising of the Empire of the Masses, who absorb and annul the directing minorities and put themselves in their place. Then, also, is produced the phenomenon of agglomeration, of "the full." For that reason, as Spengler has very well observed, it was necessary, just as in our day, to construct enormous buildings. The epoch of the masses is the epoch of the colossal.
José Ortega y Gasset
I think that the philosopher must, for his own purposes, carry methodological strictness to an extreme when he is investigating and pursuing his truths, but when he is ready to enunciate them and give them out, he ought to avoid the cynical skill with which some scientists, like a Hercules at the fair, amuse themselves by displaying to the public the biceps of their technique.
José Ortega y Gasset
Strictly speaking, the mass, as a psychological fact, can be defined without waiting for individuals to appear in mass formation. In the presence of one individual we can decide whether he is "mass" or not. The mass is all that which sets no value on itself good or ill based on specific grounds, but which feels itself "just like everybody," and nevertheless is not concerned about it; is, in fact, quite happy to feel itself as one with everybody else.
José Ortega y Gasset
Similarly a work of art vanishes from sight for a beholder who seeks in it nothing but the moving fate of John and Mary or Tristan and Isolde and adjusts his vision to this. Tristan's sorrows are sorrows and can evoke compassion only in so far as they are taken as real. But an object of art is artistic only in so far as it is not real. In order to enjoy Titian's portrait of Charles the Fifth on horseback we must forget that this is Charles the Fifth in person and see instead a portrait - that is, an image, a fiction. The portrayed person and his portrait are two entirely different things; we are interested in either one or the other. In the first case we "live" with Charles the Fifth, in the second we look at an object of art.
José Ortega y Gasset
Whatever be the substance which takes possession of such a soul, it will produce the same result, and will change into a pretext for not conforming to any concrete purpose. If it appears as reactionary or anti-liberal it will be in order to affirm that the salvation of the State gives a right to level down all other standards, and to manhandle one's neighbour, above all if one's neighbour is an outstanding personality. But the same happens if it decides to act the revolutionary; the apparent enthusiasm for the manual worker, for the afflicted and for social justice, serves as a mask to facilitate the refusal of all obligations, such as courtesy, truthfulness and, above all, respect or esteem for superior individuals. ... As regards other kinds of Dictatorship, we have seen only too well how they flatter the mass-man, by trampling on everything that appeared to be above the common level.
José Ortega y Gasset
The primary meaning of the words "modern," "modernity," with which recent times have baptised themselves, brings out very sharply that feeling of "the height of time" which I am at present analysing. "Modern" is what is "in the fashion, "that is to say, the new fashion or modification which has arisen over against the old traditional fashions used in the past. The word "modern" then expresses a consciousness of a new life, superior to the old one, and at the same time an imperative call to be at the height of one's time. For the "modern" man, not to be "modern" means to fall below the historic level.
José Ortega y Gasset
Spontaneous social action will be broken up over and over again by State intervention; no new seed will be able to fructify. Society will have to live for the State, man for the governmental machine. And as, after all, it is only a machine whose existence and maintenance depend on the vital supports around it, the State, after sucking out the very marrow of society, will be left bloodless, a skeleton, dead with that rusty death of machinery, more gruesome than the death of a living organism. Such was the lamentable fate of ancient civilisation. ... Already in the times of the Antonines (IInd Century), the State overbears society with its anti-vital supremacy. Society begins to be enslaved, to be unable to live except in the service of the State. The whole of life is bureaucratised. What results? The bureaucratisation of life brings about its absolute decay in all orders.
José Ortega y Gasset
I often asked myself the following question. There is no doubt that at all times for many men one of the greatest tortures of their lives has been the contact, the collision with the folly of their neighbours. And yet how is it that there has never been attempted - I think this is so - a study on this matter, an Essay on Folly? For the pages of Erasmus do not treat of this aspect of the matter.
José Ortega y Gasset