The industry, It's at a crossroad, There's a transformation going on. People are confused, what's going on, how to distribute and sell music. The internet kinda threw everybody for a real loop. 'Cause it's so powerful, kids love it so much. The whole world is at their fingertips, on their lap. Anything they want to know, anyone they want to communicate with, any music, any movies... The thing is it just took everybody for a loop. Right now, all these Starbucks deals and Wal-Mart deals, direct to artists, I don't know if that's the answer. I think the answer is just phenomenal, great music. Just reaching the masses. I think people are still searching. There's not a real music revolution going on right now, either. But when it's there, people will break down a wall to get to it. I mean, 'cause before Thriller, it was the same kind of thing. People were not buying music. It helped to bring everybody back into the stores, so when it happens, it happens.
 
    
        Michael Jackson 
     
    
     
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        True there has been more talk of peace since 1945 than, I should think, at any other time in history. At least we hear more and read more about it because man's words, for good or ill, can now so easily reach the millions.
Very often the words are good and even inspiring, the embodiment of our hopes and our prayers for peace. But while we all pray for peace, we do not always, as free citizens, support the policies that make for peace or reject those which do not. We want our own kind of peace, brought about in our own way.
The choice, however, is as clear now for nations as it was once for the individual: peace or extinction. The life of states cannot, any more than the life of individuals, be conditioned by the force and the will of a unit, however powerful, but by the consensus of a group, which must one day include all states. Today the predatory state, or the predatory group of states, with power of total destruction, is no more to be tolerated than the predatory individual. 
         
 
    Lester B. Pearson 
 
                 
            
        
     
    
    
    
    
                                        
                    
    
        In the "Alexandrian" explanation described above, the multiple from which evolution emerges is both secondary and sinful from its origin: it represents in fact (an idea that smacks of Manicheanism and the Hindu metaphysical systems) broken and pulverized unity. Starting from a very much more modern and completely different point of view, let us assert, as our original postulate, that, the multiple (that is, non-being, if taken in the pure state) being the only rational form of a creatable (creabile) nothingness, the creative act is comprehensible only as a gradual process of arrangement and unification, which amounts to accepting that to create is to unite. And, indeed, there is nothing to prevent our holding that union creates. To the objection that union presupposes already existing elements, I shall answer that physics has just shown us (in the case of mass) that experientially (and for all the protests of "common sense") the moving object exists only as the product of its motion. 
         
 
    Pierre Teilhard de Chardin 
 
                 
            
        
     
    
    
                                        
                    
    
        The Machine Age's commitment to cause and effect was the source of many dilemmas, including the one involving free will. At the turn of the century the American philosopher E. A. Singer, Jr., showed that science had, in effect, been cheating. It was using two different relationships but calling both cause and effect. He pointed out, for example, that acorns do not cause oaks because they are not sufficient, even though they are necessary, for oaks. An acorn thrown into the ocean, or planted in the desert or an Arctic ice cap does not yield an oak. To call the relationship between an acorn and an oak ‘probabilistic' or ‘non deterministic causality,' as many scientists did, was cheating because it is not possible to have a probability other than 1.0 associated with a cause; a cause completely determines its effect. Therefore, Singer chose to call this relationship ‘producer-product' and to differentiate it from cause-effect. 
         
 
    Russell L. Ackoff